An eager and idealistic young attorney defends an Alcatraz prisoner accused of murdering a fellow inmate. The extenuating circumstances: his client had just spent over three years in solitary confinement.
A wealthy woman is murdered in her beach house. The husband is allegedly knocked out first. He inherits all her inherited wealth. He has a female corporate lawyer, criminal prosecutor 4 years ago, represent him in court. Guilty?
A political thriller about Laine Hanson, a Senator who is nominated to become Vice President following the death of the previous office holder. During the confirmation process, Laine is the victim of a vicious attack on her personal life in which stories of sexual deviancy are spread. She is torn as to whether she should fight back, or stick to her high principles and refuse to comment on the allegations.Written by
Director Rod Lurie said he first offered the role of President Jackson Evans to Paul Newman, and then to Gregory Peck. Newman, then in semi-retirement, declined, as did Peck, claiming he was "too damn old" for the role. In response, Lurie re-wrote President Evans' character to be younger, and then cast Jeff Bridges. See more »
In the final speech that President Evans gives, you can clearly see a mic boom operator and his boom as the camera pans to the left to view the audience. See more »
Well, I bet you've been getting a lot of Churchills. Probably Mandela. Some DeGaulles. But I'd have to go with Anwar Sadat.
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Excellent drama that threatens to undermine itself in its final ten minutes but never actually does. Joan Allen is fantastic in her first lead role as a woman chosen to take over for the late Vice-President and is thrown for a loop when a story surfaces that she once participated in a gang-bang in college that someone happened to photograph. Refusing to play the dirty games some politicians play, she offers no comment on the issue, maintaining that her private life is not for public scrutiny. The Conservative zealot assigned to lead her Vice-Presidency appropriation (Gary Oldman) believes otherwise. Compelling drama, with a first-rate script and strong direction. Ignore the slightly overdone final speech by Bridges; Allen gives the film its meaning and sums it all up beautifully right before he gets around to speaking.
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