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Edward James Olmos Revisits ‘Stand and Deliver’ 3 Decades Later: ‘There Is Such an Imbalance’ in Society (Guest Blog)

  • The Wrap
Edward James Olmos Revisits ‘Stand and Deliver’ 3 Decades Later: ‘There Is Such an Imbalance’ in Society (Guest Blog)
It’s been years since Edward James Olmos last saw “Stand and Deliver,” the 1988 movie that made him the first Mexican-American actor to secure an Academy Award nomination. But watching a 30th anniversary screening at this month’s Panama International Film Festival, the actor was deeply moved.

“It was very emotional. I openly wept,” the actor said, recalling his feelings about portraying the young East L.A. math teacher Jaime Escalante — and the impact the sleeper hit biopic had on audiences worldwide.

“Ninety-five percent of my life is bringing awareness to the difficulties of people’s plights,” he said during an interview at the chic Central Hotel in Panama City’s colonial-era Casco Viejo the following day. “There is such imbalance. I’ve received so much support from life itself. I live a very privileged life. I mean, I’ve been able to live as an artist my entire life.
See full article at The Wrap »

Warren Adler Dies: ‘The War Of The Roses’ Author Was 91

  • Deadline
Warren Adler, author, playwright and poet, whose novels The War of the Roses and Random Hearts were adapted into feature films, has died. Adler died Monday of complications from liver cancer, the Los Angeles Times reports. He was 91.

His 1981 novel The War of The Roses was turned into the 1989 dark comedy feature starring Michael Douglas, Kathleen Turner and Danny DeVito. In both the novel and the film, the married couple’s family name is Rose, and the title is an allusion to the battles between the Houses of York and Lancaster (English Civil War) during the Late Middle Ages.

His novel Random Hearts also was adapted into a film starring Harrison Ford and Kristin Scott Thomas in 1999. His published manuscript Private Lies sparked an unprecedented bidding war between TriStar Pictures, Warner Bros. and Columbia. According to a report in Newsweek, TriStar Pictures won the rights for $1.2 million, at that time
See full article at Deadline »

Warren Adler, Author of ‘The War of the Roses,’ Dies at 91

  • Variety
Warren Adler, the novelist, playwright and poet whose novel “The War of the Roses” was adapted into the dark comedy starring Michael Douglas and Kathleen Turner, has died. He was 91.

His son, David Adler, said that his father died on Monday of complications from liver cancer.

Adler was the author of 50 novels, and sold the rights to a number of them for film, TV and stage adaptations. They included “Random Hearts,” which was turned into a 1999 movie directed by Sydney Pollack and starring Harrison Ford and Kristin Scott Thomas; and “The Sunset Gang,” which was adapted into a PBS “American Playhouse” in 1991, with Jerry Stiller, Uta Hagen, Harold Gould and Doris Roberts in the cast. “The Sunset Gang” was later adapted into an off-Broadway musical.

Another novel, “American Quartet,” part of his Fiona Fitzgerald mystery stories, was optioned by NBC and Lifetime.

Four months before his 1991 novel “Private Lies,
See full article at Variety »

Richard Barclay NYC Tribute Show to Feature Soap Opera Legends Eileen Fulton & Ilene Kristen

In October, the entertainment industry lost a powerful friend, Richard Barclay, a celebrated singer/actor and producer/director who passed away after an eight-month battle with pancreatic cancer. On May 26, Richard Skipper is presenting a celebration of Barclay's life and reuniting two soap opera legends in the progress. The Richard Barclay Memorial show will feature Frank Basile, Julie Budd, Eileen Fulton, Richard Holbrook, Ilene Kristen sharing memories and musical entertainment, led by musical director Rolf Barnes.

The Saturday night show will start at 8 p.m. at Don't Tell Mama in New York (343 W 46th St). There is a $25.00 cover charge and a 2 drink minimum per person. Proceeds will benefit Career Bridges. Reservations can by made after 4 p.m. daily at (212) 757-0788 after 4 Pm or online at donttellmamanyc.com.

Barclay was more than a great artist ... he was a kind, compassionate, and generous mentor.

Richard Barclay started his long career in
See full article at We Love Soaps »

Ellen Page joins Netflix's 'Tales Of The City' spin-off

Ellen Page joins Netflix's 'Tales Of The City' spin-off
Production scheduled to start later in year for 2019 series debut.

Extending the 25-year run of TV adaptations of Armistead Maupin’s groundbreaking literary saga, Netflix has ordered a limited series based on Maupin’s Tales Of The City novels from Working Title Television and NBCUniversal International.

Set in the present day, the new 10-part series, titled Armistead Maupin’s Tales Of The City, will see Laura Linney and Olympia Dukakis reprise their roles from the three previous Tales mini-series.

Ellen Page joins the cast and production is expected to start later this year for a series debut in 2019.

Orange Is The New Black
See full article at ScreenDaily »

Ellen Page joins Laura Linney, Olympia Dukakis for Netflix's 'Tales Of The City' spin-off

Ellen Page joins Laura Linney, Olympia Dukakis for Netflix's 'Tales Of The City' spin-off
Production scheduled to start later in year for 2019 series debut.

Extending the 25-year run of TV adaptations of Armistead Maupin’s groundbreaking literary saga, Netflix has ordered a limited series based on Maupin’s Tales Of The City novels from Working Title Television and NBCUniversal International.

Set in the present day, the new 10-part series, titled Armistead Maupin’s Tales Of The City, will see Laura Linney and Olympia Dukakis reprise their roles from the three previous Tales mini-series.

Ellen Page joins the cast and production is expected to start later this year for a series debut in 2019.

Orange Is The New Black
See full article at ScreenDaily »

Letters: Jonathan Demme obituary

Jeremy Cameron writes: The film-maker Jonathan Demme had a huge interest in Haitian culture: he bought art and sponsored artists, helping to promote their work particularly in the Us. When he knew I was going there with my sister Sarah in the 1990s for her Caribbean Islands Handbook, he gave us contacts and arranged a guide. His name magically opened doors for us all over the country, where he was massively respected and indeed revered for his very genuine love of its art and his great generosity.

Bob Jacobson writes: A production that deserves to be added to your fine account of Jonathan Demme’s work is his version of Kurt Vonnegut’s Who Am I This Time?, shown in PBS’s American Playhouse series in 1982. It features a shy Christopher Walken alongside Susan Sarandon and Robert Ridgely in a quirky romantic comedy set in small-town America. This 53-minute piece
See full article at The Guardian - Film News »

Jonathan Demme: Where to Stream His Finest Films

Jonathan Demme: Where to Stream His Finest Films
Jonathan Demme has passed away at age 73, leaving behind a legacy of amazing films. Thanks to modern technology, you can now host your own Demme film festival by streaming many of his biggest hits. Check out where to stream the cream of the crop below.

Read More: Jonathan Demme Remembered: Barry Jenkins, Ron Howard, Edgar Wright & More Mourn On Twitter

Netflix:

*”The Manchurian Candidate” (2004) — Watch it Here

*”Justin Timberlake + the Tennessee Kids” (2016) — Watch it Here

Amazon Prime Video:

*”Who Am I This Time?” (from “PBS’ American Playhouse”) (1982) — Watch it Here

FilmStruck:

*”A Master Builder” (2014) — Watch it Here

Amazon Video Rental:

*”Citizen’s Band” (1977) — Rent it Here

*”Stop Making Sense” (1984) — Rent it Here

*”Swing Shift” (1984) — Rent it Here

*”Married To The Mob” (1988) — Rent it Here

*”The Silence of the Lambs” (1991) — Rent it Here

*”Philadelphia” (1993) — Rent it Here

*”Beloved” (1998) — Rent it Here

*”Storefront Hitchcock” (1998) — Rent it Here

*”The Truth About Charlie
See full article at Indiewire »

12 Movies to Watch After You See ‘Ghost in the Shell’

Check out these essentials even if you don’t catch the new movie.

Another week, another live-action remake of an animated classic. Well, you could argue that most of Ghost in the Shell isn’t really live action, since there’s so much that’s CG. You could also say it’s not a remake so much as a new adaptation of a Japanese comic book. Regardless, a lot of it is a pretty faithful copy, so a good percentage of this week’s list of Movies to Watch could apply to the manga or the anime versions of the story (I’m making it a given that you should see the original). That’s good for any of you boycotting the new movie due to its whitewashing controversy.

These 12 titles are worth seeing either way:

The Creation of the Humanoids (1962)

Despite being a cheap, cheesy sci-fi B movie, this is a significant work for being possibly
See full article at FilmSchoolRejects »

Interview: Director Julie Dash of ‘Daughters of the Dust’

Chicago – Iconic and historical are the two apt terms for a film directed by an African American woman, the first to be distributed theatrically, Was it the 1920s? 1940s? It had to be the 1970s. No, it was 1992 when that barrier was broken, with the film “Daughters in the Dust,” directed by Julie Dash.

Daughters of the Dust” is a lyrical cinematic poem about transition and pride. In the early 20th Century, the children of slaves were making their first movements from the South during “The Great Migration” – when African Americans sought more independence in the industrial North. “Daughters” highlights the residents of St. Simons Island in Georgia, a settlement for a freed family named Peazant – who practiced Creole “Gullah” ancestry, which observed African tribal traditions during their time in America. The older and more established residents are wary of the traveling ways of the new generation, and the presence
See full article at HollywoodChicago.com »

Doris Roberts, Everybody Loves Raymond Star, Dead at 90

Doris Roberts, Everybody Loves Raymond Star, Dead at 90
Doris Roberts, best known for her Emmy-winning role as Marie Barone on Everybody Loves Raymond, died on Sunday, April 17, TMZ reports. She was 90.

A cause of death has not been released.

Roberts garnered 11 Emmy Award nominations over her long career, including seven nods and four wins for her work on Raymond. She won her first Emmy in 1983 for a guest appearance on St. Elsewhere, and also earned nominations for her work as receptionist Mildred Krebs on Remington Steele, as well as her work on Perfect Strangers and American Playhouse.

The actress’ career began in the 1950s and ’60s, and included memorable turns on Soap,
See full article at TVLine.com »

Rip Screenwriter Guy Gallo, Dead at 59

Rip Screenwriter Guy Gallo, Dead at 59
A playwright, screenwriter, poet and essayist, he was an adjunct professor of Screenwriting at Columbia University's School of the Arts and Barnard College, as well as Nyu's Tisch School of the Arts. Among his former students are James Mangold ("Girl Interrupted," "Walk the Line") and Greg Mottola ("Superbad," "Adventureland"). After receiving his Mfa from the Yale School of Drama in 1982, Gallo met Huston, who was impressed by his adaptation of Malcolm Lowry's novel, and made the film version. Starring Albert Finney and Jacqueline Bisset, it was released in 1984 and was a selection of the Cannes Film Festival. Gallo wrote over a dozen feature screenplays, and had four others produced. Among them was an adaptation, "Adventures of Huckleberry Finn," Part I, which American Playhouse broadcast in 1986; its cast included Lillian Gish and Geraldine Page. Born February 16, 1955 in New Orleans, Louisiana,...
See full article at Thompson on Hollywood »

Influential Cult Classic Filmmaker Black Dead at 77: Worked with Perkins, Redgrave, Mitchum

Cult movie classic ‘Pretty Poison’ filmmaker Noel Black dead at 77 (photo: Tuesday Weld and Anthony Perkins in ‘Pretty Poison’) Noel Black, best remembered for the 1968 cult movie classic Pretty Poison, died of pneumonia at Santa Barbara Cottage Hospital on July 5, 2014. Black (born on June 30, 1937, in Chicago) was 77. Prior to Pretty Poison, Noel Black earned praise for the 18-minute short film Skaterdater (1965), the tale of a boy skateboarder who falls for a girl bike rider. Shot on the beaches of Los Angeles County, the dialogue-less Skaterdater went on to win the Palme d’Or for Best Short Film and tied with Orson WellesFalstaff - Chimes at Midnight for the Technical Grand Prize at the 1966 Cannes Film Festival. Besides, Skaterdater received an Academy Award nomination in the Best Short Subject, Live Action category. (The Oscar winner that year was Claude Berri’s Le Poulet.) ‘Pretty Poison’: Fun and games and
See full article at Alt Film Guide »

‘Mothers and Sons’ Theater Review: Tyne Daly and Frederick Weller Slug It Out on Central Park West

  • The Wrap
‘Mothers and Sons’ Theater Review: Tyne Daly and Frederick Weller Slug It Out on Central Park West
After her debut in 1990 on PBS's “American Playhouse,” the gorgon mother known as Katharine Gerard is not a character most people would care to revisit, least of all in a full-length Broadway play. But there she is on stage at the Golden Theatre, where Terrence McNally's “Mothers and Sons” opened Monday, now inhabited by Tyne Daly and acting every bit the human refrigerator that the late Sada Thompson presented in that 1990 episode titled “Andre's Mother.” Did McNally bring Katharine back just to beat her up again? Maybe. Whatever, this public trashing is a riveting show. Of course, by play's end Katharine.
See full article at The Wrap »

The Warriors star Roger Hill dies, aged 65

The Warriors star Roger Hill dies, aged 65
The Warriors star Roger Hill has died, aged 65

Hill passed away in New York City last Thursday (February 20), but Variety reports that a cause of death has not been disclosed.

He is survived by his son Chris W Hill, a film editor.

The actor is best known for playing the bombastic gang leader Cyrus in director Walter Hill's cult 1979 action thriller The Warriors.

He later appeared in the soap opera One Life to Live from 1983 to 1984.

Roger also appeared in The Leatherstocking Tales, American Playhouse and The Education of Sonny Carson.
See full article at Digital Spy - Movie News »

“Looking” Back At “Tales Of The City”

With the premiere of HBO’s Looking still over a week away, this is the perfect time to remember another TV series about a group of gay (and straight) friends in San Francisco. It was 20 years ago today that Tales Of the City made its American television debut.

Based on the newspaper column–later book series–by Armistead Maupin, Tales centers around a found family living together in a boarding house at 28 Barbary Lane. Tenants include Mary Anne Singleton, a naive girl fresh off the bus from Cleveland, Michael “Mouse” Tolliver, a gay emigré from Florida, his best friend Mona Ramsey, a frustrated feminist copywriter, and Brian Hawkins, a leftie lawyer who dropped out and became a waiter. They all live under the eye of enigmatic landlady Anna Madrigal. Tales stars Laura Linney as Mary Anne, Marcus D’Amico as Mouse, Chloe Webb as Mona, Paul Gross as Brian and Olympia Dukakis as Mrs.
See full article at The Backlot »

Ask the Screenplay Doctor: Interview with Sydney Levine, President of Sydney's Buzz

You’ve written the screenplay, raised the money, shot and edited your film, and your movie is finally ‘in the can.’ Congratulations! But now what? It’s time to get your film seen and distributed. Whether you live in New England or anywhere else on the globe, you must navigate your next steps wisely.

This month I speak to Sydney Levine, president of SydneysBuzz -- whose tagline for her company -- “Pulling Back the Curtain on the International Film Industry” -- precisely does just that. Levine focuses on international film industry developments and analysis of the international film market related to buyers, sales agents, filmmakers, film festivals and distribution. Traveling extensively on the international film market circuit, Levine is a hired panel moderator, educator, consultant for filmmakers, the Cannes Film Market, the Berlinale’s European Film Market and Talent Campus, Deutsche Welle Akademie and others. Her company covers events, panels, buying, selling and educational initiatives at Toronto, Sundance, Berlin and Cannes, regularly reporting on who is buying, who is selling, which films stand out, and how the films were created.

Prior to establishing FilmFinders, she helped start the profitable video rental division of Republic Pictures as Vice President of Acquisitions and Development after having spent three years acquiring such feature films for Lorimar as My Beautiful Laundrette, Letter to Brezhnev, Tampopo, and Sugar Baby as part of a wide variety of international artistic and commercial genres. Levine has worked in international distribution for Twentieth Century Fox in Amsterdam, in Ross Perot’s start up video company Inovision, in marketing for ABC Video Enterprises, at Public Media Inc. the social issue documentary division of Films Inc. and Pyramid Films, the award-winning short film distribution company in Santa Monica, California. During her tenure at all these companies she acquired features and documentaries for international and domestic distribution.

Susan Kouguell: You and your partner, Peter Belsito, are known throughout the international film festival circuit for having the finger on the pulse of independent filmmaking for over twenty-five years. The independent film movement has certainly changed dramatically from the early celluloid days -- American Playhouse, the onset of the Sundance Film Festival, Harvey Weinstein at the ‘original’ Miramax Films -- to digital filmmaking and the increase of ancillary markets and venues, to Harvey Weinstein at The Weinstein Company. One thing that hasn’t changed is the quest for filmmakers to get their work seen and distributed. For filmmakers not living in New York City or Los Angeles, their quest can be even more challenging. What tips can you offer to assist filmmakers on their quest for getting their work seen and noticed?

Sydney Levine: Actually you can make that 38 years. When I started at 20th Century Fox International in ’75, I was the first and only woman in international film distribution except for one Dutch woman living in Germany whose company, Cine International, sold independent German films to distributors around the world but whose films never entered the United States. Theatrical and television were the only platforms in those days.

In this day of digital technology, a filmmaker can reach every corner of the world. That means the filmmaker must create a Persona with a personal digital platform which serves as an integral part of mapping out a curriculum vitae. The films are one part of who the Persona is, and the created website and blog must offer more than just the film in order to create the Persona one presents to the world. Secondly, the target audience for one’s films and for one’s other interests must be located and addressed by the Persona on the many levels of their interests. A film cannot stand alone and be noticed. It must be part of a larger picture, whether personal or affiliated with a larger brand.

Sk: What are the current trends in promoting short and feature films at festivals and markets that you find successful and not so successful?

Sl: Festivals have their own websites and use YouTube channels. The brand your film can distinguish itself by might be a festival, such as Sundance or Tribeca (or many others), which have their own platforms to promote and show films, or Cannes whose platform (called Cinando.com) shows the films of the festival and market as well as films of Sundance, Afm (American Film Market), Ventana Sur (the Argentinean market for Latino films), Busan,San Sebastian, Toronto, Deauville and Karlovy Vary film festivals. Cinando is known to the trade (and is only open to the trade) but still has not caught on as broadly as it is intended. Sundance has experimented with showing its shorts on YouTube where it has a channel, as does Tribeca. Tribeca on Demand is also a distribution platform for features which it takes on for distribution. Other festivals also use YouTube to showcase films or trailers…Karlovy Vary, Cinequest, Locarno has The Pardo Channel on You Tube. Some act as distributors and some are only promoting. Again finding these may be an issue -- or not -- depending on their purpose and how they market.

Definitely social networking is an important way to promote films. Subscription newsletters using mail chimp might work over a long trajectory.

Sk: What are the pros and cons of posting a film on platforms such as Vimeo and YouTube before it gets accepted into a film festival or has distribution?

Sl: On the pro side, it can build up a following which might persuade the distribution company to get on board. I think that if an entire film is posted before a film festival, it will destroy its chances to get in the premiere festivals which insist on premieres and it might degrade the pristine discovery element for any other festivals. Other arguments against showing the entire film, is that if it is free, no one will ever need to pay for it again. The purpose of a film is to be seen, but the purpose of the filmmaker should be to have a commercial success which speaks to the business world of distribution about the ability of the film and filmmaker to make money to repay investors and bring financial gain to the distributor. Film is, after all, a commercial art not a “fine art” which also, in fact, must show some financial gain in the end. Film is public and you must have a public that pays.

Sk: Navigating film festivals and film markets can be overwhelming for those trying to get attention for their projects. What tips do you recommend for filmmakers to make the most of their time there?

Sl: Be sure to choose the first festival as the one with the trade attending and looking to acquire films like yours. Be sure not to disqualify the film because you have it already shown it elsewhere. You can use your film as a passport to travel the world or you can use your film to promote your career in the international or in the domestic market. Be conscious of what your end goal is and then create a smart strategy to reach your objective.

Before you arrive, have a one-sheet or postcard with relevant information on you and the film. Know who from the trade is attending and write to them in a way to persuade them to see your film. Make appointments with them to discuss your film after the screening. When you are there, carry your cards and your promotion. Have a 30-second pitch and a longer pitch ready to deliver in the appropriate moments. Be aware of who you are speaking to and speak to them about them, before pitching your own agenda. Attend workshops if there are any.

Sk: Getting an offer from a film distributor to distribute a filmmaker’s project is exciting and a possible foot-in-the door to success. However, filmmakers need to proceed with caution. What should filmmakers look for before they sign on the dotted line?

Sl: First they need to have an experienced entertainment attorney review the contract carefully with them. Actually that is not the first step. The first step is saying how interesting and exciting the offer is and before saying yes, ask for the contract to review with your attorney. Filmmakers also should know how distributors and sales agents work a film so they can ask the right questions about how they will market the film.

Sk: What advice do you have for aspiring filmmakers?

Sl: Read books on the subject, take courses on the film business, attend seminars, join Ifp or Film Independent or San Francisco Film Society and network, stay abreast of new technology. Read at least one trade every day, preferably one that covers the international as well as the U.S. film business. Get to know who is who, and what role they play in the film business, so that when you meet them, you will be able to hold an intelligent conversation with them about what they do. Learn to pitch your film and yourself.

Sk: Anything you would like to add?

Sl: Proceed with passion and with caution. Take good care of yourself and recognize there is another life beyond film. Exercise, meditate, socialize, don’t take too many drugs or drink too much. In the film business it always seems like success is just around the corner. If you are lucky and meet it, your next film will be just as difficult as the first. If you go around too many corners without getting anywhere, give it up and try something new. If you succeed, don’t believe you have it made; don’t believe you are your Persona. Realize you have a human life with human needs and don’t ignore that blessing.

To learn more about Sydney Levine, SydneysBuzz, their consulting services and more, visit:

http://www.sydneysbuzz.com.
See full article at SydneysBuzz »

A Tale Twice Told: Comparing 12 Years a Slave to 1984’s TV Movie Solomon Northup’s Odyssey

  • Vulture
Watching Steve McQueen’s widely acclaimed 12 Years a Slave, you may find yourself wondering why it took so long for someone to film Solomon Northup’s remarkable life story. After all, the dramatic story is based on a memoir that was published way back in 1853. Then you find out that it has been filmed before, by one of America’s most legendary multi-hyphenate artists, the photographer-writer-director-musician Gordon Parks (Shaft, Leadbelly). Produced for public television, Solomon Northup’s Odyssey was broadcast on American Playhouse. (Out-of-print videos of it sell for a lot of money nowadays, but you can stream it on Amazon Instant, under a different title.) As a made-for-tv movie from the mid-eighties, it had a very modest budget and could never come close to the brutality of McQueen’s film. Yet Parks’s film is beautiful in its own right, lacking the ferocious immediacy of McQueen’s work, but
See full article at Vulture »

Watch: '12 Years a Slave' Directed by 'Shaft' Director Gordon Parks

  • Indiewire
Watch: '12 Years a Slave' Directed by 'Shaft' Director Gordon Parks
Before it became an acclaimed feature film from Steve McQueen, the autobiography "Twelve Years a Slave" was the basis for an "American Playhouse" television movie for PBS directed by famed director Gordon Parks ("Shaft"). Based on the same source material as the McQueen feature, the TV version, which aired in 1984, was known as "Solomon Northup's Odyssey."  Avery Brooks plays the leading role of Northup, a free black man who was kidnapped in 1841 and sold into slavery. After first airing on PBS, the film was later released on video under the title "Half Slave, Half Free." You can see a clip of the movie below or watch the whole thing by subscribing to Fandor.
See full article at Indiewire »

12 Years A Slave—The Second Time Around

12 Years A Slave is a remake. What’s more, the original television film was directed by the celebrated Gordon Parks. Why no one seems to remember this is a mystery to me, yet all too typical of what I’ll call media amnesia. It first aired on PBS in 1984 as Solomon Northup’s Odyssey, reached a wider audience the following year when it was repeated as an installment of American Playhouse, and made its video debut under the title Half Slave, Half Free. It’s readily available from Monterey Media or for instant viewing at Amazon.com. I write this not to cast aspersions on Steve McQueen’s excellent new film, but to do justice to a production that doesn’t deserve to be forgotten or...

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See full article at Leonard Maltin's Movie Crazy »
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