A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.Written by
Paul Thomas Anderson was given final cut for the film, by New Line Cinema, before he presented them with a detailed account of what the film was actually about. See more »
Water seen through restaurant window behind Claudia, after rainstorm stops. Apparently a waterfall in the courtyard. See more »
In the New York Herald, November 26, year 1911, there is an account of the hanging of three men. They died for the murder of Sir Edmund William Godfrey; Husband, Father, Pharmacist and all around gentle-man resident of: Greenberry Hill, London. He was murdered by three vagrants whose motive was simple robbery. They were identified as: Joseph Green, Stanley Berry, and Daniel Hill. Green, Berry, Hill. And I Would Like To Think This was Only A Matter Of Chance. As reported in the Reno...
See more »
Underneath the title at the end a line reads "for fa and ea". fa is Fiona Apple (Paul Thomas Anderson's girlfriend) ea is Ernie Anderson (Paul Thomas Anderson's father) See more »
In the script, there is an alternate storyline for Stanley. In it, instead of running to the school library where he reads the books about the geniuses, he runs away to a coffee shop. Also in the coffee shop are Dixon (the little boy who raps for Jim Curring) and the Worm (who is mentioned in the movie, both in the rap and during Marcie's interrogation). The Worm (who is Dixon's father) notices Stanley and motions for Dixon to leave. At this point, Dixon finds Linda passed out in her car. In the coffee shop, the Worm and Stanley talk about their fathers and Stanley offers to give the Worm the money he won on the game show. The frogs begin to fall from the sky as Dixon runs in, asks the Worm if he got the money from Stanley, then pulls a gun (the one which he stole from Jim Kurring) on Stanley, demanding his money. The Worm convinces Dixon to give the gun up. They leave the diner after the frogs fall, drive by Solomon and Solomon, and throw the gun from their speeding car, which lands by Jim and Donnie. From the DVD documentary, it seems like this scene was partially filmed and then PT Anderson decided to scrap it. See more »
The music; the way the camera moves; the performances: this amazing ensemble piece takes everything to the next level. Although the influence of Robert Altman and Martin Scorsese can be felt throughout the whole film, P.T. Anderson doesn't copy them but merely uses some of their trademark techniques to create his very own, unique brand of film.
There are so many creative ideas and standout scenes in this film: I'm sure that, similarly to how filmmakers of Anderson's generation are citing films like 'Nashville' or 'Goodfellas' as their inspiration, the next generation of aspiring directors will be citing 'Magnolia'. The film is not "just" a masterpiece, but also hugely influential and an instant classic. 10 stars out of 10.