A disturbed young embalmer digs the grave of his recently deceased girlfriend and brings her body to his family villa with help from his strange housekeeper. But his bouts of insanity are just beginning.
An Italian reporter is travelling on the Instabul-Athens train. A woman is murdered with the reporter's letter-opener so that makes him the main suspect. With the help of his Swedish ... See full summary »
Sister Cristina (Florinda Bolkan) plays a nun who takes the teenage girls in her care to a remote house where they rehearse A Midsummer Night's Dream. Three thugs show up, brutally raping ... See full summary »
A photographer named Kitty (Susan Scott) watched through a tourist telescope the killing of a woman through the window of a nearby house. She is unable to get a clear view of the killer's ... See full summary »
An accomplished painter rents a dilapidated villa in the country, and soon finds himself absorbed in the property's history, particularly the murder of a sex-obsessed countess who died there decades prior.
A deranged scientist is using his employer's top-secret bio-laboratory to engage in clandestine eugenics experiments. When he starts kidnapping leading citizens for use in his twisted tests... See full summary »
A young bachelor Mino Alberti (Franco Nero), lives in an old manor with his overprotective mother and his faithful maid, is just a few days before getting marry, his fiancee dies in a mysterious car crash. Soon afterwards Mino begins to lose his sanity and lures young women into his house with nefarious intentions.Written by
Whilst much of this b/w film is well shot with interesting angles and perspectives, I didn't feel that the director truly had a grip on things. There are good moments and frankly duff moments and despite the presence of franco Nero there were times when I wondered if I was even going to stick with this. First real problem is that as things get under way we are introduced to the overpowering mother of Nero's character, played by Olga Solbelli and she is fantastic, like some Fellini grotesque and , of course, the splendid, EriKa Blanc, and they both disappear from the picture. Almost in the blink of an eye the best are gone and we are left with a struggling Nero and a conniving maid. Nero works very hard in his role as a latter day Italian Bates but the director doesn't seem to help and he sometimes seems to overdue things, to become just too 'crazy'. Worth a look as a supposed forerunner to D'Amato's Buio Omega and it probably features the longest struggle towards a ringing phone in movie history.
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