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American Psycho (2000)

R | | Crime, Drama | 14 April 2000 (USA)
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A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.

Director:

Mary Harron

Writers:

Bret Easton Ellis (novel), Mary Harron (screenplay) | 1 more credit »
Popularity
137 ( 12)
5 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Christian Bale ... Patrick Bateman
Justin Theroux ... Timothy Bryce
Josh Lucas ... Craig McDermott
Bill Sage ... David Van Patten
Chloë Sevigny ... Jean
Reese Witherspoon ... Evelyn Williams
Samantha Mathis ... Courtney Rawlinson
Matt Ross ... Luis Carruthers
Jared Leto ... Paul Allen
Willem Dafoe ... Donald Kimball
Cara Seymour ... Christie
Guinevere Turner ... Elizabeth
Stephen Bogaert ... Harold Carnes
Monika Meier Monika Meier ... Daisy
Reg E. Cathey ... Homeless Man
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Storyline

Patrick Bateman is handsome, well educated and intelligent. He is twenty-seven and living his own American dream. He works by day on Wall Street, earning a fortune to complement the one he was born with. At night he descends into madness, as he experiments with fear and violence. Written by Lion Films

Plot Summary | Plot Synopsis

Taglines:

Killer inside. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, sexuality, drug use and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | Canada

Language:

English | Spanish | Cantonese

Release Date:

14 April 2000 (USA) See more »

Also Known As:

American Psycho See more »

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Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend USA:

$4,961,015, 16 April 2000

Gross USA:

$15,070,285

Cumulative Worldwide Gross:

$34,266,564
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Johnny Depp expressed an interest in playing the lead role. See more »

Goofs

(at around 9 mins) When Patrick is listening to his new Robert Palmer tape, you see the cab drive by an FDNY ambulance. FDNY didn't take over ambulance services until the early 1990s. See more »

Quotes

[first lines]
Waiter #1: Our pasta this evening is squid ravioli in a lemon grass broth with goat cheese profiteroles, and I also have an arugula Caesar salad. For entrees this evening, I have swordfish meatloaf with onion marmalade, rare roasted partridge breast in raspberry coulis with a sorrel timbale.
Waiter #2: ...and grilled free-range rabbit with herbed french fries. Our pasta tonight is a squid ravioli in a lemon grass broth, and the fish tonight is a grilled...
See more »

Alternate Versions

In the television edit, there are these changes:
  • Though the hooker scene is kept in, the threesome sex scene part is cut off, and after starting "Sussudio" it cuts to them with the light off. When Christian Bale gets up, his butt is not shown.
  • Christian Bale's butt is also removed from "Morning Routine" scene
  • Curses and some innuendo ("he won't give the maitre'd head") are cut. The line "I want you to clean your vagina" is kept however.
See more »


Soundtracks

Cuatro Milpas
Traditional Arranged by Francisco Gonzalez
Performed by Francisco Gonzalez
See more »

Frequently Asked Questions

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User Reviews

LENGTHY BOOK TO FILM COMPARISON: MAY ONLY MAKE SENSE TO THOSE WHO HAVE SEEN THE FILM AND WERE DISSAPOINTED
12 June 2003 | by jamalio9See all my reviews

There are numerous things wrong with this otherwise faithfull adaptation in terms of it's structure, plot and ability to portray a strong focus on it's lead character (although heavily watered down). For starters, it is far too tame. You may argue that a lot of the explicit sex and violence in the book was unnecessary but the truth is the Patrick Bateman in the book is obsessed with detail, perfection and routine, so he explains popular culture, food and restaurants and bathing products with the same explicit nature as he describes his killings with his victims and the sex he has with them beforehand. This was missing. I never once heard Patrick Bateman describe what he likes to do to his female victims in sickening detail. Although this was sick it does serve a purpose and would have proven to be a very uniquely cinematic function that would be very disturbing and almost something we have never seen before in a film. Plus the fact it would sidestep the censors as its not physical violence being committed, merely psychological. They lost something unique in this. Also Patrick Bateman in the book does some unbelievably f***** up things to his victims which makes it hard to read. That's why there was all the controversy. The film does NOT have this effect and it should at least have been shocking, and the fact that there was no controversy surrounding the films release sums it up quite well. It's like a book that is really heartbreaking and sad and brings you to tears but the adapted film doesn't make you feel this way- you often think that something important was missing and the film makers have missed the point.

Secondly were the production values. In the book you imagine the locations- Bateman's apartment, his office, the parties they attend, the nightclubs and restaurants, to exceed anything we could ever imagine and associate with 'rich' in reality. In the book they are lavish, far more than we could ever imagine. Now its fairly obvious that this film is relatively low budget and as result it suffers a little by showing us locations we would associate with upper middle class in a TV sitcom, not upper class people who have that sense of materialistic achievement the likes of which we never knew existed. And it's a little too obvious that most of it was shot in a film studio. Many of the characters in the book would frown upon the living conditions of what the characters in the film have.

Thirdly was Patrick Bateman himself. He was never this much of a geek in the book. He was a very powerful, ruthless man, who describes all that sense of materialism that is apparently appealing to most humans, whilst displaying a sense of genuine animosity and sinister ness that you would almost regard as 'inhuman'. A lot of people miss the point of this; sometimes your confused as to whether he is human or some form of demon and it plays with your perceptions a little, thereby proving to be the most disturbing element of the book itself. Patrick Bateman in the book is actually very well respected and his possibly so far at the top of his game its no surprise he appears to be inhuman. In the film he is a run of the mill yuppie that is a bit of a loser compared to his mates. In the film he does what he does 'cause he feels he has no choice, in the book he does what he does 'cause he gets such a kick out of it and is such a spoilt brat that enjoying the most expensive things in life are not enough for him. He is so disgusted with meals, clothes, other products etc that don't cost thousands of dollars and aren't the best it is actually quite unbelievable yet interesting, and you get the sense that he spends a thousand just to walk out his door. You don't get a sense of what an expensive life Patrick Bateman lives in the film. Also in the book he really is a ladies man and wherever he goes he always gets a chicks phone number- which would lead onto inevitable consequences. In the film he often has to rely on hookers- one of which the ugly blonde one, who is so ugly the character in the book wouldn't even look at her (the book version of his character is VERY fussy about his women and wouldn't have sex with her unless she was 100% perfect looking, and NOT one that has the characteristics of a yorkshire terrier). In short, the book version of Patrick Bateman would have eaten the one in the film (literally alive) for breakfast in terms of greed and corruption and wanting the best of everything.

Fourthly was the scope of the film, again a fault with the films production values. In the book the characters get up to far more interesting things- conference meetings, huge parties, rock concerts, opera and so one, in the film all they ever seem to do is go to the same nightclub and restaurants and sit around and talk. As a result the film shows little achievement as to some of the excitement the characters get up to. That's also what was disturbing about the book, it shows a lifestyle that these yuppies have that entices you and almost makes you feel a little envious of what they get up to. In the film the characters lives are just boring, plain and simple.

Last of all (and thank god after all my bitching) the other characters in the book are far more complex and interesting than the 1 dimensional representation we get of them in the film. All of them are obsessed about the same things as Bateman who isn't such a loner and makes you question whether or not they get up to the same things as Bateman despite the fact that they give the impression otherwise. All of them are vain and are obsessed with looking good and getting the best out of everything. Again in the film they are just traditional yuppies.

Well I'm sorry I've bored you after this lengthy comparison but if you have read the book long ago as I have; and expected something special and monumental as the book was, rather than a film that was too small scale and lacked the passion and ambition it so desperately needed, I'm sure you'd agree. There should have been moments in this film that really shocked you into realising what a human being is capable of in terms of committing acts of evil towards others but alas, all we got was a naked guy running down a corridor wearing sneakers and wielding a chainsaw. I feel that the strongest thing about the film is easily Christian Bales' outstanding performance, and you wonder what could have been achieved in the hands of a greater director like Oliver Stone, Brian De Palma or even Martin Scorsese, who had a bigger budget and a little more verve and daringness to do it more justice, rather than Mary Hannon's merely competent but pedestrian and un-cinematic take on the book


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