Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Nick and the other boys (and Vicki Lewis) working the hotspot of air traffic control in New York are impressed with themselves, to say the least. They thrive on the no-room-for-error, fast-paced job and let it infect their lives. The undisputed king of pushing tin, "The Zone" Falzone, rules his workplace and his wedded life with the same short-attention span that gets planes where they need to be in the nick of time. That is, until Russell Bell, a new transfer with a reputation for recklessness but a record of pure perfection shatters the tensely-held status quo. The game of one-upmanship between the two flies so high as to lead Nick into Russell's bed with his wife. His sanity slipping just as fast as his hold on #1, Cusack's controller is thrown out-of-control when Thornton's wanderer quietly leaves town. Nick must now find a way to regain his sanity and repair his marriage before he breaks down completely.Written by
Angelina Jolie had just shaved her head for the dying scenes in Gia (1998). She wore a wig in this film. See more »
When Russell Bell stands on the runway to feel the effect of wing tip vortices from a landing 747-400, he stands directly under the jet as it flies over head. Wing tip vortices roll off the tips of wings in a swirling motion and travel outward and downward. In reality, one would need to be positioned several feet outboard of the wing tips to feel the effect; farther if the airplane were higher. However, if a strong crosswind were to exist, in this instance from the right, it would cause a vortex to persist on the runway for an extended period of time. If strong enough, the vortex can be blown laterally across the runway towards the centerline, where Mr. Thornton's character was standing. Of course the landing attitude of the aircraft depicted in the movie did not indicate such a crosswind; however, the concept is not wholly impossible as implied by the aforementioned. See more »
[to Russell Bell]
I called your house and Mary said you'd be out here.
She sounds good
Oh, she wanted I give you this message, "See, I told you Colorado wasn't far enough".
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This movie just doesn't deliver. It gets too bogged down all through the middle as Cusack's life comes apart because of his determination to outdo Thornton's character. Also, Thornton's character (although he is the antagonist of the film) is way more interesting than Cusack's character, with whom we get frustrated and just wish he'd get his act together.
The movie does become more amusing towards the end once Cusack finally tries to do something about his sorry state. But too little, too late.
The film also uses the style of super-verite everyone-talk-at-once, which means that you can't hear the lines and it rarely does anything to add to the story. Seemed like the whole first third of the movie was there just to develop the "atmosphere". A number of scenes here and there that don't have any purpose in the story.
The acting's all fine and good, and the NJ/Long Island clothes and decor are fun. I blame the writer, director, and editor for the failure of this flick.
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