1900. Danny Boodmann, a stoker on an American passenger liner, Virginian, finds a baby abandoned on the ship. He names the child Danny Boodmann T.D. Lemon Nineteen Hundred '1900' and raises the child as his own until his death in an accident on the ship. The child never leaves the ship and turns out to be a musical genius, especially when it comes to playing the piano. As an adult he befriends a trumpet player in the ship's band, Max Tooney. After several years on the ship Max leaves, and tells the story of 1900 to the owner of a music store.Written by
There was actually a registered ship named the SS Virginian which was built in 1904 and scrapped around 1954. The ship had one funnel with the Allan Line's colors on it. The SS Virginian also had a vital part in the Titanic disaster in April 1912 as she was reported near the vicinity of the sinking and within radio contact. See more »
When Danny names Novecento, he claims 1900 is the first year of the 20th century. Given that there was never a year 0, however, 1900 is actually the last year of the 19th century. See more »
I still ask myself if I did the right thing when I abandoned his floating city. And I don't mean only for the work. The fact is, a friend like that, a real friend - you won't meet one again. If you just decide to hang up your sea legs, if you just want to feel something more solid beneath your feet - and it's then you no longer hear the music of the gods around you. But, like he used to say, you're never really done for, as long as you got a good story, and someone to tell it to. ...
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Original version released in Italy is 2 hours and 45 minutes long. A 123-minutes version premiered at the Locarno film Festival in July 1999. This shorter version is the same released in the USA by Fine Line under the title "The Legend of 1900". See more »
the more people see it, the more people there are to help me work out what to make of it. It's hard not to like, and the central conceit, the fantasy story of someone whose entire life is spent crossing and re-crossing the Atlantic, is just delicious - yet there's always something that prevents it from working as it should. There's too much narration. Narration aside, there are too many words. Just before 1900 and the narrator part ways the former explains himself, to some degree, in a longish speech. The speech was necessary: we needed to hear his reasons from his own lips. But once it had been given the scene should have ended. Instead the two characters keep adding postscripts as they walk away from one another - and they're standard, maudlin things which are at odds with what 1900 had been saying a moment ago. Again and again, there are words where there shouldn't be.
But then, it may be that the title character was given too FEW words - at least at first. Because it's so long before we first hear 1900 express his thoughts verbally (and because in the absence of other information about his character we are unwilling to pass judgment on him until he does) it takes too long for us to warm to him. In fact we never warm to him as much as we should.
And yet there are scenes - the piano duel, the girl in the rain - that are just fantastic, that make me reluctant to criticise anything at all. Any film containing moments like those can afford to lose its way at times.
P.S. Of course, a film about a pianist born on the first day of the Twentieth Century ought to be called "The Legend of 1901", which if you asks me sounds better anyway.
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