Chris is young idealistic cop who falls in love and gets married to Pam, a beautiful but emotionally unstable woman who suffers from alcoholism and drug addiction. While Chris is trying ... See full summary »
Jessica, whose father killed her mother and committed suicide, is a police officer. While investigating a murder, she finds herself in the center of her own investigation, when her former lovers start being murdered.
Samuel L. Jackson,
After the death of his strictly religious parents, forlorn young Darkly gets lost in the woods. A truck driver, Jude, rescues the exhausted man, who has only a bible for comfort. He brings ... See full summary »
Young Dutch landscape architect Meneer Chrome comes to a remote English estate where Thomas Smithers lives with his wife, Juliana. Smithers is determined to leave as his legacy a fabulous ... See full summary »
High powered lawyer Claire Kubik finds her world turned upside down when her husband, who has been living under a false name, is arrested by military police and placed on trial for the murder of villagers while he was in the Marines.
In 1904, in Dublin, James Joyce chats up Nora Barnacle, a hotel maid recently come from Galway. She enchants him with her frank, direct and uninhibited manner, and before long, he's ... See full summary »
British Consulate investigator Det. Stephen Wilson, a.k.a. the Eye, comes across a disturbed lady serial-killer while on an otherwise mundane assignment. Already a bit psychologically fragile from his wife's abrupt removal of herself and their daughter from his life (with the lingering memory of his daughter haunting him like a manifest ghost), his psychosis as a displaced dad dovetails with the femme fatale's psychosis as an abandoned daughter (crying "Merry Christmas, Daddy" over her expired victims). A bond forms, or, rather, an obsession, as the Eye abandons his job to secretively stalk this mysterious woman full-time as she visits many major U.S. cities under various names, leaving numerous victims.Written by
Director Stephan Elliott fought the film's financier, Mark Damon, over the tone of the film. Elliott envisioned the film as a dark thriller with sex and random lashings of violence. Damon wanted a more A-to-B thriller that he could sell worldwide. Ironically, many of the Asian markets that bought the film wanted a sexier and more violent version of the film. See more »
When the camera swings behind Stephen as he watches Joanna leave the hospital, there's a cigarette dangling form his lips, but when the camera changes immediately to a front shot, there is no cigarette. See more »
My wife was right. I spent my whole life hiding behind computer screens, and it cost me my daughter. But it's time to let go because... because I met an extraordinary woman and she needs my help. I won't make the same mistake twice.
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The final credit reads: "for ... hal, tex, francis, federico, hitch, chuck, walter, steven and jacques." See more »
Canadian DVD offers a deleted scene (where the Eye has a final conversation with his daughter, via a dream sequence) and an alternate ending. The latter shows an epilogue after the crash, where we see the Eye standing at Joanne's grave. As he's leaving, he spots a young girl visiting her mother's nearby plot, and has a bonding moment with her. See more »
This thing must have looked good on paper--the only reason I can think of that Ewan MacGregor and Ashley Judd would associate themselves with it. Funny thing is, I think there might be a good movie in here somewhere. I mean, was it good at some point until some outside force--a producer or a test audience, for instance-started messing with it? The plot is incomprehensible, something producers in screening rooms tend to not like. "But we have to put SOMETHING out there for god's sake! It's got two big stars in it!" My question is, did their tinkering make the film more or less confusing?
We may never know. Having paid close attention to the film (the interesting direction and photography held my attention), however, I have been able to surmise the following: a spy code-named Eye,' (the miscast Ewan MacGregor) who's afraid of his own shadow, not to mention losing his mind since his wife left him (this same subject was covered in the far superior Zero Effect), falls in love with a beautiful killer (Ashley Judd). He's supposed to be getting her arrested but, as he keeps following her, becoming more and more obsessed, he starts protecting her. Judd's "Joanna" is a parasite. She targets well-to-do men, feeds off of them for a while, then kills them. Eye also tries to protect her victims from her, but usually fails--until she becomes a victim herself at the hands of the scary, creepy Jason Priestley (yes, THAT Jason Priestley). He saves her, only to lose her, then finds her again. This time he has the nerve to actually talk to her. But will he finally do his job and turn her in or will he become her next victim?
Before I start sounding too much like the back of a video box, let me just say that there is a lot here for those willing to pay close attention to it. Too often, though, it seems like it's trying too hard to be interesting, doing so at the expense of storytelling. It also seems self-important--as if they don't want the audience to understand. Some parts of it are just plain bad (like every one of k.d. lang's scenes).
Like I said, watch closely and you may get something out of it. Then again, no one should have to work that hard at watching a movie.
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