An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
In Moscow, the FBI and their Russian counterpart, the MVD, are working on a joint mission to apprehend Russian mobster Ghazzi Murad specifically for the murder of Mayor Nikolai Semankho. During the arrest, they are forced to kill Ghazzi. Ghazzi's brother, Terek Murad, also a mobster, begins his own form of deadly retribution against the MVD for Ghazzi's death. But the FBI and MVD also get wind that Terek has hired an assassin by the code name Jackal to carry out a hit on a high profile but unknown American target for the Americans sticking their nose in Russian affairs. Intelligence points to that target being Donald Brown, the Director of the FBI. The Jackal is known only by name and reputation but no one in authority knows who he is, what he looks like or if he even really exists. They learn of only one person alive who they know has had ties to the Jackal: former Basque separatist Isabella Zanconia, whose whereabouts are unknown. As such, the FBI and MVD decide to turn to the one ...Written by
(At around one hour and nine minutes) When they're waiting for The Jackal to arrive by boat at the marina in Chicago, Mulqueen (Richard Gere) turns to Major Koslova and says, "Shall we dance?" Gere starred in the film Shall We Dance (2004). See more »
(at around 20 mins) All Canadian custom officers wear uniforms, not just a suit and tie with a badge. See more »
This is a manhunt, not your cause. Don't make it personal.
What do you fucking know?
[as Mulqueen walks away]
All right! I'll tell you what I know. I know the Jackal set you up in that arms deal in Libya. I know that Isabella was wounded when *you* walked in to the trap. I also know that it was the life *you* had chosen for...
Did you also know that Isabella was *pregnant* when she got shot... That OUR CHILD didn't survive! Don't tell me this isn't personal, Mr. Preston!
I can't risk all of this...
[...] See more »
The Australian Theatrical version omitted the shot where The Jackal shoots Lamont's arm off in the testing scene, and removed the line in the nightclub scene in the beginning where Terak's brother calls Valentina a "scar-faced c**t". These cuts were made so the movie would achieve an M rating (recommended 15+ years). The full version was released on video with an MA rating (restricted 15+ years). See more »
Written by Shaun Ryder (as S. Ryder), Danny Saber (as D. Saber) and Manmade
Performed by Black Grape
Courtesy of Radioactive Records J.V.
By Arrangement with Universal Music Special Markets See more »
I entered the theater with fond memories of Fred Zinnemann's 1973 "Day of the Jackal", expecting a chance to scoff at a butchered remake of a fine, suspenseful and tensely-paced film. After the first half-hour or so, it suddenly occurred to me that what I was seeing was not a remake at all, but a parody. Then I began to enjoy myself.
Watching to see what modern filmmaking sensibilities had made of the more memorable scenes from the original kept me thoroughly entertained for the rest of the show. Edward Fox's neat little sniper's rifle--with its disguise constructed from a marvelous, high-tech material called "stainless steel"--metamorphosed into an immense carbon-fiber contraption suitable for demolishing an armored battalion. Fox's deadly silent assassination of a cantaloupe turned into a market-garden recreation of the Battle of the Bulge. And so on.
I don't think my companion, or anyone else in the theater, appreciated my snickers and occasional belly laugh. Too bad. I had a great time.
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