After a visit with his sons, Schillinger realizes he needs to get paroled. He convinces McManus to let him return to Em City with the condition that he leaves Beecher alone. Beecher comes out of the ...
New inmate Idzik faces his enemies and requests a transfer. Meanwhile, the Loewen case grows increasingly complicated, the Muslims run into business trouble, and the inmate population comes together ...
With things wild in Em City, O'Reily begins a surprising affair. Zabitz asks Schillinger for protection from Keller--who tries to get into the rehab program to make amends with Sister Pete. Beecher ...
OZ chronicles the attempts of McManus (Terry Kinney) to keep control over the inmates of Em(erald) City as well as the drug trade and the violence. There have been many groups of inmates during the run of the show and not everybody makes it out alive. There's the gangstas (Adebisi, Wangler, Redding, Poet, Keene, Supreme Allah), Muslims (Said, Arif, Hamid Khan), Italians (Pancamo, Nappa, Schiebetta), bikers (Hoyt), Aryans (Schillinger, Robson, Mark Mack), Christians (Cloutier, Cudney), Latinos (Alvarez, Morales, Guerra, Hernandez), gays (Hanlon, Cramer) and a whole pile of others (the O'Riley brothers, Keller, Stanislovsky, etc.). And there's a great "everyman" character called Beecher who gives a good look at a normal man who made one tragic mistake. Besides the regular inmates, there's guest stars such as Method Man, Luke Perry, Master P, Treach, etc. and a bunch of prison staff doctors (Dr. Nathan), a nun/psychologist (Sister Peter Marie), a bunch of guards some honest, some crooked...Written by
Prisoners are often seen using knives and scissors as regular every day items (getting haircuts etc). Access to metal bladed instruments would not be allowed in any form without strict supervision. Every pair of scissors and every knife would accounted for at all times. See more »
Not only the best show on TV currently, but one of the best shows of all-time.
Consistently well-written and acted, Oz is without a doubt the best thing on TV. Quality wise, it's up there with the first 4 seasons of Homicide: Life on the Street as the most compelling hour of television drama. Presenting a harsh and realistic view of prison life, Oz is a wonderful mixture of superb acting and character development; all of which rides on a nuanced and erudite core (Foucault's Panopticon is the inspiration for Em City's design...and ultimate failure). It is the only show on TV, that I can think of, that has presented characters who were intensely dislikable one moment and oddly empathetic the next. That I am repulsed by, sympathetic with, intrigued about, and involved with every character that has lived, died or survived on the show, is no small feat. Good TV exists. And, for my money, Oz is not only good TV, it is better than most films released throughout the year.
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