Claude Bukowski leaves the family ranch in Oklahoma for New York where he is rapidly embraced into the hippie group of youngsters led by Berger, yet he's already been drafted. He soon falls in love with Sheila Franklin, a rich girl but still a rebel inside.
France before 1789: When a widow hears that her lover is to marry her cousin's daughter, she asks the playboy Valmont to take the girl's virginity. But first she bets him, with her body as prize, to seduce a virtuous, young, married woman.
A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have... See full summary »
Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his porn magazine and how it changes into a battle to protect the freedom of speech for all people.Written by
Kenneth Chisholm <firstname.lastname@example.org>
According to the book "The Shooting Script", the scene where Larry figures out the ideal way to photograph a woman's vagina was meant as a parody of the kind of "idea bulb" scenes common in biopics. See more »
When Larry finds Althea in the bathtub, he pulls her out of the water by the throat. For the rest of the scene you can see her swallow and sometimes wince in pain, even though she's dead. See more »
[During a staff meeting for the next issue]
I got an idea, how about the Wizard of Oz? Dorothy is laying there in Kansas, there's the Tin Man, the scarecrow, and the lion and their all gang banging her? I was thinking maybe even Toto?
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Career milestone for Woody Harrelson & Courtney Love
THE PEOPLE VS. LARRY FLYNT (1996) **** Woody Harrelson, Courtney Love, Edward Norton, James Carville, James Cromwell, Richard Paul, Crispin Glover, Vincent Schiavelli, Miles Chapin, Brett Harrelson, Donna Hanover, Norm MacDonald. Superb biographical account of smut publisher Larry Flynt (portrayed by Best Actor nominee Harrelson in arguably the role of his career) whose bouts with the courts regarding libel, pornography and ultimately first amendment rights to the freedom of speech are captured like a tempest in a teacup that depicts the rise and near fall of Flynt (who was paralyzed in an assassination attempt) and the uncomparable love affair with his doomed yet dedicated wife, bisexual, drug-addicted and tragically AIDS afflicted wife Althea Leasure (Love in a toweringly brilliant turn at acting that deserves all the recognition she mustered) who stood by her man as she withered away. Funny, insightful, important and some masterful filmmaking overall thanks largely to the cleverly constructed screenplay by Scott Alexander and Larry Karaszewski ("Ed Wood"), costumes by Theodore Pistek and Arianne Phillips, and all too believeable production design by Patricia von Brandenstein. And yes that is real-life Flynt as one of the judges passing sentence and yes it is real-life brother Brett of Woody playing siblings. Kudos to Best Director nominee Milos Forman (who was sorely passed over in the Best Picture nomination as well as practically getting shut out come to mention it) for pulling off a difficult hat trick: making scum respectable.
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