A twisted take on "Little Red Riding Hood", with a teenage juvenile delinquent on the run from a social worker travelling to her grandmother's house and being hounded by a charming, but sadistic, serial killer and pedophile.
When Nicole met David; handsome, charming, affectionate, he was everything. It seemed perfect, but soon she sees that David has a darker side. And his adoration turns to obsession, their dream into a nightmare, and her love into fear.
A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
A man suspects his girlfriend of being unfaithful. So he sends her a letter, but then finds out that he was wrong. He has twenty-four hours to stop the package, prevent a disaster, and fall... See full summary »
Little Red Riding Hood for the 1990's: After her mom and step-dad are arrested, 15-year-old Vanessa Lutz decides that instead of once again being put into a foster home, she'd rather go and search for the grandmother she's never met, and live with her. "On the way to grandma's house," (actually a trailer park) Vanessa's car breaks down, and she's picked up from the side of the road by Bob Wolverton, a counselor at a school for troubled boys. Bob slowly earns Vanessa's trust, and eventually convinces her to talk about her sexual abuse at the hands of her stepfather. When Vanessa realizes that Bob is enjoying what she's saying, she realizes that he's "The I-5 Killer," from the news. She tries to get out of his truck, but the inside door handle has been removed...Written by
Daniel Aubrey White <firstname.lastname@example.org>
Except for the main characters of Bob (Kiefer Sutherland) and Vanessa (Reese Witherspoon), the rest of the cast is listed alphabetically according to the character's name. See more »
In 1997, the 102 minute edited US R-rated version screened in Australia with an R rating for its theatrical release. In 1998, the 104 minute uncut version was submitted to the Australian Classification Board for a video release, however, it was refused classification (RC). Instead, the edited US R-rated version was released on video. The Australian DVD released through Force Entertainment is also the US R-rated version. See more »
I don't think this is how The Brothers Grimm envisioned Little Red Riding Hood...
Based on the classic Grimm Brothers tale, Little Red Riding Hood; Freeway is the disjointed and frankly weird odyssey following a young girl on the way to her grandmother's home. The film begins much like any other hitchhiking film, with a young girl being picked up by a slightly sinister driver. However, you won't be able to predict where it's going to go from there, as Freeway continually puts its characters in absurd situations and delivers the unexpected. The plot doesn't exactly adhere to the story of Little Red Riding Hood, and after the basics have been laid down, it's basically anyone's game right down to the gripping and hilarious climax. The film sees Reese Witherspoon's juvenile delinquent being picked up by Kiefer Sutherland's child psychologist after fleeing from her home when her mother and step father are arrested. After telling the psychologist of her relationship with her step father, she soon realises that he's enjoying what she's saying a little too much; and it's not long before she asks him if he's the infamous I-5 killer, and he doesn't do anything to convince her he's not...
Freeway doesn't introduce any characters that are particularly likable, and all are guilty to a degree. Most audience members will be on the side of Witherspoon's character, as although she certainly has personality problems, she's great fun to watch and her twisted logic isn't usually far from being spot on! Witherspoon got one of her best roles in this film, and really does carry it despite her young age. Kiefer Sutherland stars alongside her, and it's rather odd seeing him in the psycho role after getting so used to him being Jack Bauer in 24. He does do it great, however. Perhaps the best thing about this film is the pitch black humour that goes hand in hand brilliantly with the absurdity of the piece. The plot is really freewheeling, and the film jumps from road thriller to prison drama to the court room in the blink of an eye, and this helps to ensure that the audience is always kept on their toes. This film won't appeal to people that don't like their movies to be pitch black and unpleasant, but anyone who enjoys a good does of absurdity shouldn't hesitate to track this film down!
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