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Ghost in the Shell (1995)

Kôkaku Kidôtai (original title)
Not Rated | | Animation, Action, Crime | 29 March 1996 (USA)
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0:25 | Trailer
A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.

Director:

Mamoru Oshii

Writers:

Shirow Masamune (based on the manga by) (as Masamune Shirow), Kazunori Itô (screenplay)
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Popularity
2,684 ( 84)
5 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Atsuko Tanaka ... Kusanagi Motoko (voice)
Akio Ôtsuka ... Batô (voice)
Kôichi Yamadera ... Togusa (voice)
Yutaka Nakano Yutaka Nakano ... Ishikawa (voice)
Tamio Ôki Tamio Ôki ... Aramaki (voice)
Tesshô Genda ... Nakamura buchô (voice)
Namaki Masakazu Namaki Masakazu ... Urisu hakase (voice)
Masato Yamanouchi Masato Yamanouchi ... Gaimu daijin (voice)
Shinji Ogawa Shinji Ogawa ... Gaikôkan (voice)
Mitsuru Miyamoto Mitsuru Miyamoto ... Daida Mizuho (voice)
Kazuhiro Yamaji Kazuhiro Yamaji ... Seisô kyokuin (voice)
Shigeru Chiba ... Seisô kyokuin (voice)
Hiroshi Yanaka Hiroshi Yanaka ... Kenshi-kan (voice)
Ginzô Matsuo Ginzô Matsuo ... Ossan (voice)
Takashi Matsuyama Takashi Matsuyama ... Jikkô-han (voice)
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Storyline

It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can connect to the internet directly. Major Motoko Kasunagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

It found a voice... now it needs a body. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Japan | UK

Language:

Japanese

Release Date:

29 March 1996 (USA) See more »

Also Known As:

Ghost in the Shell See more »

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Box Office

Budget:

JPY600,000,000 (estimated)

Opening Weekend USA:

$2,736, 4 February 1996

Gross USA:

$515,905

Cumulative Worldwide Gross:

$515,905
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo (Original Japanese)| Dolby Digital (5.1 surround) (English Dub)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film takes place in 2029. See more »

Goofs

During the chase against the ghost hacked man in the first act of the film, it's never shown nor explained where Kusanagi got her headgear from before fighting the man hand to hand. She appears to not have been carrying it at all, so it's safe to assume it's a continuity error. See more »

Quotes

[first lines]
Title Card: In the near future: Corporate networks reach out to the stars, electrons and light flow throughout the universe. - The advance of computerisation, however, has not yet wiped out nations and ethnic groups.
Dispatcher: [on radio] To all units: Code 2-0-8 in district C-13, Newport City. Air space is closed. I repeat...
See more »

Alternate Versions

The movie was released in Germany on VHS by Manga Video. The version was uncut, though it was rated 16. There was a second release by Ascot, the movie, the package design and everything was exactly the same, except that this version was rated 18, but the disclaimer at the beginning still showed the 16 rating. Further more Ascot replaced the Manga Entertainment logo at the beginning of the movie and the credits scroll down to their full length where Manga cut them a bit. It seams like the Ascot-Video was intended for rental-use only. See more »

Connections

Referenced in Metropolis (2001) See more »

Soundtracks

See You Everyday
Composed and Arranged by Kenji Kawai
Lyrics Pong Chack Man
Vocals Fang Ka Wing
Chorus Junko Hirotani
See more »

Frequently Asked Questions

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User Reviews

 
A stunning and complex cinematic warning
12 November 2000 | by SpeechlessSee all my reviews

Ghost in the Shell is a masterpiece. I would go so far as to say that it's the second best science fiction film I've ever seen (behind 2001, of course), but no one knows about it. I find it terribly unfortunate that the only American viewers familiar with Ghost in the Shell are anime fans, many of whom overlook the film's complexity and see only its nudity and violence. The movie kind of gets in its own way-- within the first five minutes we see the heroine's nude body as well as a very messy head-exploding scene, and many of the viewers who would otherwise end up enthralled by the film's abundant style and intelligence immediately dismiss it as exploitative anime trash. Every time I show this movie to non-anime fans I have to explain beforehand that Ghost in the Shell is a serious work of science fiction and that everything in it, including the adult content, is part of the point the movie makes about where our society is headed.

The film is stylish, artistic, and beautiful. Masamune Shirow's stunningly believable vision of the future makes the jump from manga to anime remarkably well. As brilliant as the comics are, I really prefer the film version, which eliminates the nearly pornographic T&A (the film has nudity but it's clearly not meant to be titillating) and all of the exaggerated comic relief which only detracted from the manga in my opinion. The film's action sequences are strikingly different from the overly stylized symphonies of destruction seen in most action films. Gunfire, martial arts combat, and car chases are depicted exactly as they would occur in the real world-- without fast music or Armageddon-style hyper-editing or any of the needless cinematic baggage we've come to expect. But it's the movie's ideas that make it great, particularly in the last half hour, when thoughtful viewers learn what this story is all about-- the emergence of a new kind of life form, an intelligent and self-aware intelligence that can live indefinitely without ever inhabiting a physical body. The film argues that this will occur within the next thirty years, and the superbly ambiguous ending inspires us to come up with our own ideas of what will happen to humanity once this new life form begins to reproduce. This is filmmaking that should be seen and discussed.

And now the disclaimer. All of the above comments refer to the subtitled Japanese version of the film, NOT the English dub. Simply put, the dub ruins everything. A good example is Kusanagi's wry comment at the very beginning of the film. An officer who is communicating with Kusanagi through a kind of electronic telepathy tells her there's a lot of static in her brain. In the original Japanese version (as well as in the manga) she replies that "It's that time of the month," but in the dub her comment is inexplicably changed to "Must be a loose wire." It's completely insane-- do they think that, in a film with considerable nudity and graphic violence, people are going to be offended by a PMS innuendo? The whole movie is filled with such intelligence-insulting changes; please do yourself a favor and watch the subtitled version.


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