Catherine Sloper (Jennifer Jason Leigh) has found the man of her dreams in Morris Townsend (Ben Chaplin), but her plans to marry him are strongly opposed by her father, Dr. Austin Sloper (... See full summary »
Jennifer Jason Leigh,
Simon is an outcast from his Jewish community, because he claims that the devil talks to him, and he has the ability to put curses on crops. When Dovid asks the "Squire" to sell him some ... See full summary »
A man (Quaid) is executed in the electric chair for having killed several women, but due to lightning striking a transformer at the moment of execution, he survives. As soon as he's well, ... See full summary »
In a Florence pensione circa 1900 with English guests, George Emerson (Julian Sands) and his dad (Denholm Elliott) offer their rooms with views to Lucy Honeychurch (Helena Bonham Carter) and her chaperone, Charlotte Bartlett (Dame Maggie Smith). Lucy and George get acquainted, but Lucy returns to England. George and Lucy meet again, but now she's engaged.
Helena Bonham Carter,
This romantic story, based on a novel by H.E. Bates and set in late 19th century England, rests on sibling rivalry for the affections of a woman who comes to live with their family by happenstance. In time, she decides to accept the marriage proposal of the youngest of the three sons, to the surprise of all. However, a man whom she had once loved and who had abandoned her (after making false promises) comes back into her life. The appearance of this scoundrel sets into motion a tragic series of events that eventually engulfs everyone.Written by
In an almost quasi-Victorian style, and most certainly with a true Victorian setting, H.E.Bates' novel has been turned into a fine cinematographic production. Excellent interpretations by all concerned, not only the leading actors, lushly backed up by some truly splendid photography, this is a film which appeals to the senses of perceptive viewers.
Unfortunately the music score is not up to much, or perhaps I should say that you should not see this film expecting great orchestral and vocal music as Zbigniew Preisner has already given us in the trilogy `Trois Couleurs' or especially in the previous film `La Double Vie de Véronique' (1991).
H.E.Bates was first a serious novelist, giving us such splendid titles as `The Jacaranda Tree' and `The Purple Plain', both based on his wartime experiences in Burma (now called something like Myaungyi), and evidently `Feast of July' falls into this category. Unfortunately he then turned his hand to light frivolous reading with would-be attempts at hilarity, and he simply fell out of any serious reading list. Thoroughly recommend these two novels as they paint an authentic picture of people with real feelings and genuine jealousies and mistrust. Perhaps it is this characterisation that has been soundly transformed into a visual experience that makes `Feast of July' a thoroughly recommendable film. Near 7 out of 10.
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