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Three Colors: White (1994)

Trois couleurs: Blanc (original title)
Trailer
1:33 | Trailer
After his wife divorces him, a Polish immigrant plots to get even with her.

Writers:

Krzysztof Kieslowski (scenario), Krzysztof Piesiewicz (scenario) | 4 more credits »
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Zbigniew Zamachowski ... Karol Karol
Julie Delpy ... Dominique
Janusz Gajos ... Mikolaj
Jerzy Stuhr ... Jurek
Aleksander Bardini ... Le notaire (The Lawyer)
Grzegorz Warchol ... L'elégant (The Elegant Man)
Cezary Harasimowicz ... L'inspecteur (The Inspector)
Jerzy Nowak ... La vieux payson (The Old Farmer)
Jerzy Trela ... Monsieur Bronek
Cezary Pazura ... Le propriétaire du bureau de change (Bureau de Change Proprietor)
Michel Lisowski Michel Lisowski ... L'interprète (The Interpreter)
Philippe Morier-Genoud Philippe Morier-Genoud ... Le juge (The Judge) (as Philippe Morier Genoud)
Piotr Machalica ... L'homme de haute taille (The Tall Man)
Francis Coffinet ... L'employé de banque (The Bank Employee)
Barbara Dziekan Barbara Dziekan ... La caissière (The Cashier)
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Storyline

Karol (Polish) marries Dominique (French) and moves to Paris. The marriage breaks down and Dominique divorces Karol, forcing him into the life of a metro beggar and eventually back to Poland. However, he never forgets Dominique and while building a new life for himself in Warsaw he begins to plot. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Switzerland | France | Poland

Language:

Polish | French | English

Release Date:

10 June 1994 (USA) See more »

Also Known As:

Three Colors: White See more »

Filming Locations:

Paris, France See more »

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Box Office

Opening Weekend USA:

$22,284, 12 June 1994

Gross USA:

$1,237,219

Cumulative Worldwide Gross:

$1,237,219
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Krzysztof Kieslowski was a very precise filmmaker. During the scene in which Dominique has an orgasm, he told Julie Delpy exactly how long she had to moan and when she had to start to moan louder. See more »

Goofs

After the court-room scene, Karol Karol is throwing up, but we can't hear a "vomit splash", and there isn't vomit in the closet. See more »

Quotes

Mikolaj: What counts on bridge is memory.
[sighing]
Mikolaj: And mine is excellent.
See more »

Connections

Followed by Three Colors: Red (1994) See more »

Soundtracks

To ostatnia niedziela
(This Last Sunday) (uncredited)
Music by Jerzy Petersburski and words by Zenon Frejdwald
Played on the comb by Karol in the subway
See more »

Frequently Asked Questions

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User Reviews

 
Like The Middle Of An Oreo...
28 September 2007 | by ferbs54See all my reviews

The second film in Krzysztof Kieslowski's "Blue, White & Red" trilogy, "White" (1993), is decidedly lighter in tone than its predecessor and should manage to appeal to a wider audience. In it we meet Karol Karol, a Polish hairdresser living in Paris who has just been divorced by his wife Dominique (the gorgeous Julie Delpy, who is not unfairly compared to the Brigitte Bardot of "Contempt" in this picture), due to a spell of impotence. At first blush something of a nebbish, Karol soon shows that he is nevertheless quite the resourceful character. Back in his wintry-white native land, he manages to somehow get back on his feet, rebuild his life despite numerous adversities--as had Juliette Binoche in "Blue"--and even contrive a get-even scheme involving his ex. As in the previous film, the directing and photography are just outstanding, and Zbigniew Zamachowski is at once sympathetic, funny and charismatic in "White"'s lead role. Sharp-eyed fans of "Blue" will note Ms. Binoche's Julie character in "White"'s opening courtroom scene, as well as the same old lady at the recycling bin (this latter background character would also, strangely, resurface in "Red"); just some fun elements to help tie this loosely linked trio of films together, I suppose. Despite being a bit more straightforward than the other two films in the trilogy, "White" still offers food for thought, as well as some puzzling moments. For example, viewers who will be able to interpret Delpy's hand gestures at the tail end of the picture are certainly better than me. (Then again, I've always been pretty bad at any hand pantomime more involved than a raised middle finger; guess I'd make a lousy deaf person!) Fortunately, Delpy explains these mysterious gestures for us in one of the DVD's copious extras. I'm also somewhat at a loss as to how the color white's corresponding to "equality" on the French flag pertains here. Are we supposed to think that Karol and Dominique are equals of sorts by the film's end? I suppose so. The white of the title can just as easily be regarded, though, as corresponding to the sweet and pleasing center of an Oreo cookie, in the middle of two decidedly darker segments...


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