Against the backdrop of a gloomy San Francisco, the nearly two-century-old vampire, Louis de Pointe du Lac, recounts the unbelievable story of his eternal transformation and a life worse than death to the sceptic reporter, Daniel Molloy. Spanning two hundred years of cruel betrayals, extreme solitude, and unquenched thirst, Louis' grimly fascinating tale pivots around his perpetually regrettable decision to embrace the dictatorship of blood, and, above all, his maker: the seductive blonde aristocrat of death, Lestat de Lioncourt. Is Louis' mystical epic of bloodshed genuine? Is this, indeed, an interview with a vampire?Written by
At the beginning of the film, we see Louis in the window of the hotel. When the shot changes to the inside of the room, it is from behind Louis as he is looking out the window at the city. If you watch closely, you can see that what Louis is looking at is actually a still image rather than the actual city, as none of the cars' headlights or taillights move and none of the other lights flicker. See more »
So you want me to tell you the story of my life?
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Reportedly, in original screenings of the film there was extra footage in the scene where Louis finds the burnt bodies of Madeleine and Claudia. In this version, after the bodies crumple to ashes, Louis takes Madeleine's locket that has the picture of the little girl who resembles Claudia. See more »
An entire hour is missing from the released version
Neil Jordan who is masterful with small intimate films, served up scrambled eggs on this picture where budget was no object. There is an entire hour missing from all the released versions because in 1994 Geffen/Warner Bros. didn't believe a film audience would sit through a well paced, well told story for three hours. No one in charge had seen Apocalypse Now. Perhaps someday it will be reedited and my work and the entire hour withheld will be added.
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