A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for ... See full summary »
A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. ... See full summary »
A struggling actor's job as a hotel custodian is a front for his real job: being rented out as a gigolo by his supervisor. A co-worker is obsessed with him, but he ignores and avoids her. ... See full summary »
After being thrown out of her house, Maria encounters a married woman who complains of not having children. Maria ends up in an abandoned house, where she meets Matthew. When a baby is kidnapped Maria sets out to find the woman.
Two tapes, two Parisian mob killers, one corrupt policeman, an opera fan, a teenage thief, and the coolest philosopher ever filmed. All these characters twist their way through an intricate and stylish French language thriller.
Van's father, Stan, is fond of video, always taping scenes of daily family life. But he does not take care of Van's grandmother, Armen. Although he could afford having her at home, she is ... See full summary »
Karen O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.
This psychological thriller is true to its subjects as well as being complex, dynamic, and overly dramatic. How something so long ago, seemingly trivial, years later with more significant trauma, turns repressed emotions into a dysfunctional life and distorted thinking. This is all merged into a psychological menagerie that unfolds piece by piece to perfection.Written by
When the film was being advertised through newspapers in the Philippines, the banner states "Strong warning by the MTRCB (Movie and Television Ratings Classification Board) - strictly for adults only. This film is approved without cuts because of its artistic value." See more »
The cuts on Francis's face change size and shape throughout the movie after he gets thrown out of Exotica. See more »
Mmm, what? What is it? What is it that gives a school-girl her special innocence? Is it the way they smell? The sweet smell of their perfume... , of their hair? The aroma of fresh flowers... , and all that other stuff that hasn't been fucked up by late nights and a lot 'a bad food? Is it their gestures... , and the way they move? The way their body still holds on to some semblance of self-respect and... , and dignity? When they wrap their beautiful legs around you - tight, holding on - looking ...
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I can't remember seeing a film as intriguing, complex, and beautifully photographed as "Exotica." I nearly didn't watch it because the video cover advertized it as an "erotic thriller" and the image on the front is of Mia Kirchner doing her strip-tease bit. Granted, "Exotica" centers around a "gentleman's club" of the same name, but to call this film a simple erotic thriller is to miss out on a lot, on too much.
"Exotica" follows four seemingly unrelated storylines: a man sitting alone at a table in a strip club, another man smuggling exotic parrot eggs into the country ("Exotica" takes place in and around Toronto), two apparent strangers walking in a field of green, and a young girl who plays a flute in an empty house. Egoyan begins with these vastly different puzzle pieces then slowly, inexorably brings them together.
Atom Egoyan is one heck of a masterful director. He is the epicenter of this cinematic symphony that leads carefully from movement to movement until the finale bursts forth in equal measure of catharsis, discovery, and tragedy. Plot to him is like tapestry weaving. He threads narrative, characters, time, and setting in such complicated iterations that one is at once nearly overwhelmed by the intricacy and awed at his skill, a testament to his brilliance as well as his belief that a film-going audience is actually intelligent.
At it's heart, "Exotica" is a tragedy of circumstances. Or better yet, a collision of tragedies of circumstances. Indeed, the film isn't so much about tragedy as it is about those who survive tragedy and the toll a single event can exact for the rest of the lives of those who survive. Exotica, the gentleman's club, serves merely as a focal point where all these individual tragedies radiate to.
Equally haunting in all this is the music. Mychael Danna's score sets the film's tone: dark, "exotic," deceptively simple but savvier than it lets on. Also worthy of note is the music in the club itself, a blend of American house funk and Middle Eastern tones, warbled in Arabic.
I highly recommend this film. Ignore the naked women who sashay from time to time in front of the screen (difficult as that may be at times) in the scenes shot in the club. The really interesting stuff occurs at the margins of the film, as the gulf separating the storylines begin to vanish, and the final scene gives you the keystone to a horrifying clear vision of a sadness so overwhelming that no one in the film escapes unscathed.
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