An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
This movie is based on a novel of Tiziano Sclavi, and it always reflects the "sclavian philosophy" diffused by the most succesful comics in Italy: Dylan Dog, the detective of the nightmare. There is the duality between love and dead (in Italian "dellamore" means "of love" and "dellamorte" means "of death"), a duality that Dellamorte feels in a really hard way. He is the guardian of the cemetery of Buffalora, a little town in the north of Italy, in which, we don't know why, corpses rise from tombs and Dellamorte has to destroy them. Dellamorte seems not to ask to himself why this happen, he shoots and loves. But at the end he wants to leave Buffalora...Written by
Bruno Iannazzo <email@example.com>
According to Director Michele Soavi, The "returners" get their energy from the Mandragola roots in the cemetery. See more »
During the scenes where characters are being bitten by the "returners", make-up lines are clearly visible on their skin around the bites. See more »
You're a thief. You may have killed your wife and daughter. OK, I'll give you that. But it was me who knocked off the three girls. What are you doing stealing my murders? What kind of fucking friend do you think you are? I suppose you thought you were doing me a favor...
See more »
One of the most incredible and overlooked films ever made.
Dellamorte Dellamore (aka Cemetery Man) is one of those ingenious, creative movies that appear once in a blue moon and is virtually unrecognized. It tells the story of a cemetery caretaker's troubled life and descent into madness, while at the same time, trying to rid himself of the zombies that rise from the ground after burial. Featuring Rupert Everett giving one of the best performances in cinematic history, Dellamorte Dellamore is a unique blend of humor, horror, and romance into a gothic art-house flick. This movie is proof that American film-makers have a lot to learn.
34 of 43 people found this review helpful.
Was this review helpful to you?
| Report this