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In Custody (1994)

PG | | Comedy, Drama | 3 June 1994 (UK)
An editor asks Deven, a teacher who loves Urdu poetry, to interview poet Nur Shahjehanabadi, an aging whale of a man. Deven goes to Bhopal from Mirpur to meet Nur, of whom he is in awe. He ... See full summary »

Director:

Ismail Merchant

Writers:

Anita Desai (novel), Anita Desai (script) | 1 more credit »
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Cast

Cast overview, first billed only:
Shashi Kapoor ... Nur
Shabana Azmi ... Imtiaz Begum
Om Puri ... Deven
Sushma Seth ... Safiya Begum
Neena Gupta ... Sarla
Tinnu Anand ... Murad
Prayag Raj Prayag Raj ... Jain
Parikshat Sahni ... Siddiqui (as Ajay Sahni)
Sagar Arya ... Chiku
Alakh Nandan Alakh Nandan ... Trivedi
Yusuf Khurram Yusuf Khurram ... Young Poet
Riju Bajaj Riju Bajaj ... Young Poet
Maza Bi Maza Bi ... Safiya's Attendant
Nayeem Hafizka Nayeem Hafizka ... Young Poet
Virendra Saxena ... Young Poet (as Veerendra Saxena)
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Storyline

An editor asks Deven, a teacher who loves Urdu poetry, to interview poet Nur Shahjehanabadi, an aging whale of a man. Deven goes to Bhopal from Mirpur to meet Nur, of whom he is in awe. He finds him living with feuding wives, visited by sycophants who drink his whisky and eat his food. Deven wants to record Nur for posterity and seeks funds to buy an aged tape recorder, to bribe Safiya, the elder wife, to get Nur into a room at a brothel for a week for the recording, and to feed Nur's pals who show up. Nur's beautiful second wife, Imtiaz, wants to be taken seriously as a poetess. Dever dismisses her and ignores his own wife and child much as Nur does. In the end, what is preserved? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG for thematic elements and mild language | See all certifications »
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Details

Country:

UK | India

Language:

Urdu | Hindi

Release Date:

3 June 1994 (UK) See more »

Also Known As:

Hifazaat See more »

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Box Office

Opening Weekend USA:

$7,701, 17 April 1994

Gross USA:

$92,612

Cumulative Worldwide Gross:

$92,612
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

One of nine productions that Indian actor Shashi Kapoor made with Merchant Ivory Productions. The films include Bombay Talkie (1970), Side Streets (1998), In Custody (1994), The Deceivers (1988), Heat and Dust (1983), The Householder (1963), Shakespeare-Wallah (1965), In Ismail's Custody (1994), The Wandering Company (1984). See more »

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User Reviews

In Custody of a Language
9 July 2011 | by ChrysanthepopSee all my reviews

Merchant Ivory Productions's adaptation of Anita Desai's novel, 'In Custody' is rawer and grittier than their previous films. Not to put down their previous works, which are gems in their own rights, but such treatment wouldn't have worked for a story like 'In Custody'. Merchant gives it a very lyrical and subtle toned down look. The art direction and props look very authentic. Cinematography has always been a strong point in Merchant Ivory films and here too it is no less stunning.

The film's key theme is that of deterioration. This is reflected in the dying out of the Urdu language that Deven desperately tries to keep alive through Nur's poetry; in Nur's own life (once he was a celebrated poet and now he's merely an over-eating alcoholic has-been who's resented by his own wife) and seeks momentary comfort in his supposed 'fans' who drop by, uninvited, for their own convenience; in Choti Begum who's become the breadwinner as she continues to plagiarize her husbands poems and performs in front of the sleazy men of the village. With Choti Begum, the issue of feminism is touched. When she tells Deven how men were always praised for their poetry while women were merely seen as the object of desire, this does ring true to an extent.

The first rate performances are very natural. Shashi Kapoor performs effortlessly. In a way, 'In Custody' also reflects the deterioration of his physical health. Shabana Azmi also turns in a remarkable performance and Om Puri leads the film with élan.

The poetry is superb. It contributes beautifully. Not only is it a part of the film, but to me the entire picture felt like one poem.


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