In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
During the era of Prohibition in the United States, Federal Agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone, and because of rampant corruption, assembles a small, hand-picked team to help him.
Brian De Palma
Robert De Niro
Frank is a retired Lt. Col. in the US Army. He's blind and impossible to get along with. Charlie is at school and is looking forward to going to university; to help pay for a trip home for Christmas, he agrees to look after Frank over Thanksgiving. Frank's niece says this will be easy money, but she didn't reckon on Frank spending his Thanksgiving in New York.Written by
Col. Frank Slade has a very special plan for the weekend. It involves travel, women, good food, fine wine, the tango, chauffeured limousines and a loaded forty-five. And he's bringing Charlie along for the ride.
As a guest on Inside the Actors Studio (1994) (Oct. 2, 2006), Al Pacino recounted to host James Lipton how he'd had an embarrassing moment in a crowded elevator after winning his first Oscar. Unbeknownst to Pacino, was that the head of his statuette was poking a well-known actress in her posterior. When she turned around, Pacino quickly explained that his Oscar, not he, was to blame for her discomfort. See more »
In the scene where Slade is threatening to commit suicide, he has tears coming out of his left eye and not his right. When the camera breaks away and then returns, the tears are flowing down his right cheek and not his left. See more »
Movies often have lines that become part of our culture. The line from this one is hoo-ha! I don't know why for sure Pacino says that. He does though and it's great. Whenever I ask anyone about this movie, those who have seen it 99% of the time answer with a hearty hoo-ha!
As for the performances: Pacino, I dare say, gave his best performance ever. It was also the riskiest. We're not supposed to like him, but we do. We can tell he doesn't think that Charlie is a moron. We can tell that he likes him in fact as a son. It strikes us as sad though. We can sense that this man has always been lonely. But then he lost his sight because of his mere stupidity and fondness for booze. He became even more lonely and sarcastic. Mean in fact, but funny. I was laughing my $ss off when he drove the Fararri, yelling hoo-ha! at every turn. Charlie has what Slade attempted to achieve his whole life: integrity. As he says, Slade did stuff just to do stuff. Charlie does it because he means it. Chris O'Donnell, as Charlie Simms, is good. Albeit a bit understated. As I said before, Pacino is masterful. The actor who played the rich boy George is funny too.
When I first saw this, I thought the ending ruined it. It seems a bit trite and cliche ridden, but the final speech is good. Brilliant, in fact. Pacino's character comes to his own realizations and ultimately his climax in the speech. Brilliantly acted by Pacino, I may add. He takes several stupid lines in the speech and makes them forceful.
This is a good movie. Great really. It ranks on my top 10 of all time. Number 1 being Saving Private Ryan. If you want to see what Academy voters are swayed by, see Unforgiven. If you want to see a masterful movie that contains one of what I consider to be the best performance by an actor ever(the real best being Charles Sheen in Major League 2)see Scent of a Woman. The script does have its errors. The time duration is often unclear. Slade tells Charlie that his gun is not a gun, but a weapon or a piece. Seconds later, Charlie asks for it and Slade refers to it as his gun. Just little stuff like that are the reasons why the Academy didn't give it their vote. I don't care about that though. See it. Remember, the two best syllables in the world are....oh wait. I can't print that. If you've seen the movie, you get the joke.
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