The RSC puts a modern spin on Shakespeare's Hamlet in this filmed-for-television version of their stage production. The Prince of Denmark seeks vengeance after his father is murdered and his mother marries the murderer.
The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio, when in reality, it is all part of the scheme of a bitter Ensign named Iago.
Hamlet returns to Denmark when his father, the King, dies. His mother Gertrude has already married Hamlet's uncle Claudius, the new King. They urge Hamlet to marry his beloved Ophelia. But soon the ghost of Hamlet's father appears and tells Hamlet that he was murdered by Claudius and Gertrude. Hamlet must choose between passive acquiescence and the need for a vengeance which might lead to tragedy.Written by
John McInery, who plays the part of Osric, also played the part of Mercutio in Franco Zeffirelli's Romeo and Juliet (1968). See more »
Elsinore in Denmark is a very flat, not at like the hilly landscape portrayed in the film. See more »
Hamlet! Think of us as of a father. For let the world take note: you are the most immediate to our throne. And with no less nobility of love than that which dearest father bears his son do I impart toward you.
See more »
One American print, which as of January 2016 appears on Paramount's Vault Channel on YouTube, features no credits overlaid during the first two minutes of the film as seen on most prints (aside from the title) and the same goes for the end titles, which leaves only a black screen with music, followed by the Paramount logo. It is unknown how or why there are essentially no credits at all on this print; it is most likely an accident that the distributor was unaware of. See more »
Hamlet - Possibly the greatest play of all time and Zeffirelli and DeVore butchered it into an incoherent and unmoving series of events with flat characters who act without any apparent motivations. For example, Horatio (in the play) is the model of friendship and yet, we have no sense of that relationship between him and Hamlet. And what of poor Ophelia? Why did she go insane? Who Knows? She shows no true feelings for Hamlet except annoyance and fear. Her father treats her like a dog. She seems to love her brother, Laertes, and he is safe in France so what's there to go mad about? Polonius is just a jerk and there is no indication of his political motives and fawning manipulations. The Ghost is a weepy shadow of his former self and conveys none of the anger or horror of his own murder.
So here you have weak, flat and uninteresting characters in a script that can only be described as a jumbled perversion of the original. ("Get thee to a nunnery" during the play?!?!) One is forced to laugh in many places where laughter is not intended ("Meet it is I set it down..."), but it is a bitter laugh at best. Unbelievable. I must find great fault in the direction, also. How Zeffirelli can misuse such accomplished actors as Ian Holm and Paul Scofield is beyond me. Also Michael Maloney (who was able to read a line with honest conviction of his character despite the director) was so appallingly underused that one could only feel sorry for him. This is exactly the type of Shakespeare that you were exposed to in high school. You remember those days. Long, mind-numbing readings of Romeo and Juliet followed by that horrible Olivia Hussey film? It was enough to make you hate the Bard. Rent Kenneth Branagh's Hamlet. It is infinitely superior to Zeffirelli's. Branagh's passion for the play is more than evident and his skill in bringing it to the screen is unsurpassed. Branagh exemplifies why Shakespeare's work has survived so long. Zeffirelli illustrates why high school kids see it as an endurance trial.
12 of 23 people found this review helpful.
Was this review helpful to you?
| Report this