A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
A movie with no spoken dialogue, it is set against the music and lyrics of Benjamin Britten's "War Requiem" which includes poetry by World War I soldier Wilfred Owen reflecting the horrors ... See full summary »
In this Derek Jarman version of Christopher Marlowe's Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by ... See full summary »
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both ... See full summary »
An unseen woman recites Shakespeare's sonnets - fourteen in all - as a man wordlessly seeks his heart's desire. The photography is stop-motion, the music is ethereal, the scenery is often ... See full summary »
Queen Elisabeth I travels 400 years into the future to witness the appalling revelation of a dystopian London overrun by corruption and a vicious gang of punk guerrilla girls led by the new Monarch of Punk.
A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.Written by
a great movie that deals about real living and hypocritical
Some people live, and many others are just jealous vultures.
The pictures and metaphors are made with a edge of a blade. Two kind of life are represented, and the cyclic way of life is very well pictured. I've seen a film on the modern times that have the same intensity is the film by Serge Reggio and Philip Glass (there is no words, pictures speak their selves), it's Koyaanisqatsi. The recurrent anachronisms are well interesting too, because all this theater is eternal. This paradox asks some real questions about the times we are living, and all illusion that suits. The way we lead our life, is the time we give themselves to be free.
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