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The Cook, the Thief, His Wife & Her Lover (1989)

NC-17 | | Crime, Drama | 6 April 1990 (USA)
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.

Director:

Peter Greenaway

Writer:

Peter Greenaway
Reviews
Popularity
3,882 ( 53)

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7 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Bohringer ... Richard
Michael Gambon ... Albert
Helen Mirren ... Georgina
Alan Howard ... Michael
Tim Roth ... Mitchel
Ciarán Hinds ... Cory (as Ciaran Hinds)
Gary Olsen Gary Olsen ... Spangler
Ewan Stewart ... Harris
Roger Ashton-Griffiths ... Turpin (as Roger Ashton Griffiths)
Ron Cook ... Mews
Liz Smith ... Grace
Emer Gillespie ... Patricia
Janet Henfrey Janet Henfrey ... Alice
Arnie Breeveld Arnie Breeveld ... Eden
Tony Alleff Tony Alleff ... Troy
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Storyline

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

Lust...Murder...Dessert. Bon Appetit! See more »

Genres:

Crime | Drama

Certificate:

NC-17 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Netherlands | UK | France

Language:

English | French | Dutch

Release Date:

6 April 1990 (USA) See more »

Also Known As:

The Cook, the Thief, His Wife & Her Lover See more »

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Box Office

Opening Weekend USA:

$252,223, 8 April 1990

Gross USA:

$7,724,701

Cumulative Worldwide Gross:

$7,724,701
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (R-rated)

Sound Mix:

Dolby Stereo (as Dolby Stereo in selected theatres)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Roger Ashton-Griffiths and Ciarán Hinds both appear in the television series Game of Thrones as Mace Tyrell and Mance Rayder respectively. See more »

Goofs

When Albert (Michael Gambon) goes into the ladies' toilet and starts throwing women out of the cubicles, the second one has, as you would expect, her underwear around her knees. But her skirt rides right up, revealing that she is still wearing her underwear, and that the ones below are a prop. See more »

Quotes

[Cut to opening scene, Albert's gang has Roy nude, smeared feces on his body, strapped to the ground, and Albert pisses on him]
Albert: Now, I'll give you a good dinner. You're gonna have a nice clean. Now, you behave yourself in the future and pay for what I ask you or next time I'm gonna make you eat your own shit
See more »

Crazy Credits

Closing credits epilogue: "And a special thanks to those very many people who patiently & repeatedly performed as patients & nurses in the hospital ward, and as diners in the Hollandais Restaurant." See more »

Alternate Versions

An edited, R-rated version is available on video. See more »

Connections

Referenced in Celebrity Naked Ambition (2011) See more »

Soundtracks

Book Depository
Written by Michael Nyman
Performed by The Michael Nyman Band
See more »

Frequently Asked Questions

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User Reviews

 
An unforgettable piece of total cinema
7 November 2007 | by onionhasayoyoSee all my reviews

First of all, I have to say that this film is one of my personal favorites, and that it is one of those things one must see during his or her lifetime.

Truthfully, however, I first got into this film after hearing clips of the soundtrack on the Japanese version of Iron Chef, during a time before it was acquired by the Food Network. This film score, composed by the great post-minimalist Michael Nyman, is still one of the most haunting and soul-stirring scores in my opinion, if not the one of the most impressionable bodies of musical work ever. I still listen to the album on a weekly basis - it gets under your skin that way.

The film itself is a piece of total art, as others have said. The sets are saturated with their singular color schemes (blue for the restaurant's exterior, green for the kitchen, white for the restrooms, and red for the main dining hall) , and people who have any sort of artistic training have valued and will continue to value this film as a character study of color. In this present age where most films present their interpretations of visual thrill through costly CG and SFX technologies, this film is a testament to how color can be a driving influence behind effective set design and cinematography.

The principal actors, including the always amazing Helen Mirren and Michael Gambon, are first rate. Helen Mirren's Georgina is a truly heart-wrenching character, especially in the face of Gambon's portrayal of Albert Spica, a poor excuse for a human being and one of cinema's cruelest villains. The cook and lover are merely catalysts, serving to instigate the final act that is the undoing of Albert's overreaching tyranny.

I suppose the anti-Thatcher sentiment is highly applicable to this film, but since I am not a British citizen, I feel that I cannot comment on this. However, I think the film's allegory can also be applied to other scenarios where a brutish figure uses violence and exploitation as a way to control others whose primary fault is only residing in the same physical/social/legal domain as the brute.

In short, a masterpiece.


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