When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former secretary.
Cuba Gooding Jr.,
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country he fought for.Written by
Murray Chapman <email@example.com>
When this project was initially being assembled in 1979, original director William Friedkin dropped out. Daniel Petrie was then tapped to direct. According to Oliver Stone, Al Pacino, who was originally to play Kovic, had his reservations, but Stone considered him to be a competent director. Locations had been scouted and Pacino rehearsed, but money dried up that was promised by producer Martin Bregman. Although Stone felt crushed. He decided if he gained some clout in the industry, he would return to the project, which he did ten years later, as writer and director. See more »
[Ron is attempting to walk in the hospital; Willie is beside him]
Am I good? Hey
[drags himself forward]
, am I good?
Man, you're one crazy Marine, Kovic - so gung-ho and everything, but you don't know shit about what's really happenin' in this country.
Fuck you, Willie.
I'm serious man. It ain't about burnin' the flag and Vietnam, man. While we fight for rights over there, we ain't got no rights at home. It's about Detroit and Newark, man. It's about racism, man.
Is that right?
Because you can't...
[...] See more »
The film's title is seen after the end credits have finished. See more »
Written by Quirino Mendoza, Arranged by Trini López (as Trini Lopez)
Performed by Trini López (as Trini Lopez)
Courtesy of Warner Bros. Records, Inc.
By Arrangement with Warner Special Products
Published by Polygram International Publishing, Inc. See more »
What defines a great film? I believe that for a movie to be great, it should move you. It should make you think. It should make you reconsider your views and outlooks. It should make you take a closer look at its subject matter. It should draw attention to itself. Above all, you should gain some amount of enjoyment from a great film. I believe that BORN ON THE FOURTH OF JULY was a great film. I say this because, whether or not you agree with Ron Kovic's message, and although Oliver Stone almost ruined it with his attempts to personalize reality, the movie still made people stop and look. It literally defined the Vietnam War for a generation of Tom Cruise fans, and made many more aware of what the vets went through. The cinematography, score and fabulous acting made it a pleasure for many people to watch, if only to see how Cruise would deliver his next line.
The film grossed $70,001,698 nationwide. In 1989, when BORN ON THE FOURTH OF JULY was released, movie tickets cost five dollars. Therefore, over fourteen million American people went to the theater to see this movie. The number of viewers increases when you take into consideration the people who rented it on video or watched a television broadcast. It had that special something that made people think about issues that they might not have thought about before. It is lamentable that by 1989, many of the members of Generation X had paid little or no attention to the Vietnam War, even though only sixteen years had passed since the war's end. The younger generation was reminded that the war did, indeed, happen, and that the country was still being lambasted with the side effects.
The camera work was extremely effective in relaying the messages in the film. Different moods within the film were indicated by different tints in the color. Combats were filmed in red, while blue indicated sadness, and white tints where used in the dream sequences. Whether intended or not, the colors of choice also coincide with that of the American flag, which is very appropriate for the film. The film also employed a wide variety of interesting angles without becoming confusing to the viewer.
The musical score is one of the best of all time. John Williams is a genius in the music industry. His fabulous music can make a film feel the way it was intended to. He seems to simply know what sequence of notes will produce what emotions. Along with Williams' music, the score also includes some of the popular music from the time of the film's setting. For instance, AMERICAN PIE by Don McLean, MY GIRL by the Temptations, and MOONRIVER by Henry Mancini, all give the viewer who remembers the music a sense of nostalgia, taking them back to those years.
Two words sum up why the movie got the attention it did: Tom Cruise. Many critics were skeptical whether or not the pretty boy of RISKY BUSINESS and TOP GUN fame had what it took to portray a real life Vietnam veteran and make the audience believe he was that person. Fans crowded into the theaters to watch Cruise's handsome face (which was not so attractive through most of the film). Critics went to watch him blow the role. But he proved himself and went above and beyond what was expected of him in one of the most moving performances I have ever seen. He literally became Ron Kovic.
Many people were affected by BORN ON THE FOURTH OF JULY. It had great cinematography. Its soundtrack was inspiring and beautiful, pulling out of the viewer all possible emotions. Tom Cruise's performance as Ron Kovic blew almost everyone away. In short, BORN ON THE FORTH OF JULY has what it takes to be a great film. It overcomes Stone's blatant manipulation of facts, such as the violent conflict that in the movie occurs during a republican convention, but in reality occurred during a democratic convention. Powerful and touching, it drives its point home and back again, never missing a beat.
8 out of 10 stars
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