A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
Claire is a tough gang member that has to find the Boss' mistress, Kitty, who ran away from him. She is accompanied by Boss' trigger-happy son Jimmy. Claire's colleague gangster Nick is ... See full summary »
Fred Tate is a prodigy. He's also a lonely, little boy with the emotional needs that his single mom covers. Worries about world problems gives him ulcer. He takes a quantum physics summer college class at 7.
Terry is having an affair with his boss' wife Sylvia. One night after an office party they are together and Sylvia witnesses an attack on Denise from Terry's bedroom window. She doesn't ... See full summary »
An artist (Foster) witnesses a Mafia hit and calls the police. At the police station she realizes that the Mafia has a man in the force, so she runs. Trailed by the police, who need her testimony, and a hitman (Hopper) hired by the Mafia, she goes to Mexico, where eventually she meets the hitman, who has become infatuated after studying her art and life to prepare for the hit.Written by
Ed Sutton <email@example.com>
Bob Dylan has a small cameo as the artist with a chainsaw and an orange hard hat. See more »
When Anne and Milo are about to drive off in an SUV, the mountain backdrop is flapping in the wind. See more »
There's something going on here that I really don't understand, but I like it.
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The theatrical release of this film is 98 minutes long. It was disowned by director Dennis Hopper and is credited to 'Alan Smithee'. The 116 minutes long director's cut was released on cable television in the USA under the title 'Backtrack'. There also exists a 180 minutes long original cut which remains unreleased. See more »
Splendid, offbeat film that blurs the line between the refined arty types (Foster's Anne Benton), and lowlifes (Hopper, Pesci). Exceptional cinematography and editing, plus a neat script, make this film appear to be a template for Tarantino, as we sort of define the term "opposites attract" with this film!
Hopper, Pesci, Price, and Turturro all give terrific performances, but Foster steals the flick in an extremely uncharacteristic performance. Made around the time of The Accused, this is Foster at her unrestrained, corset-less best. This is Foster as truly one of the hottest, sexiest women in Hollywood. She seriously could have had a career as a sex kitten (Hard to believe I know, but watch Backtrack, whoo!), but after The Silence of the Lambs, she never really returned to this turf. It's sad, because her wonderfully loopy, sexy performance, is glorious... one of her best.
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