A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Kidnapped boy Phillip Perry (T.J. Lowther) strikes up a friendship with his captor Butch Haynes (Kevin Costner): an escaped convict on the run from the law, while the search is headed up by honorable Texas Ranger "Red" Garrett (Clint Eastwood).
Saxophone player Charlie "Bird" Parker (Forest Whitaker) comes to New York City in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict, but his loving wife Chan (Diane Venora) tries to help him.
When Bird is dictates the telegram to be sent to Chan, it's printed as he speaks. He says "Forgive me for not being in the hospital with you," but the telegram reads "Forgive me for not being there with you while you were at the hospital." See more »
Dizzy sent you a birthday card. Seems he's back in town. Do you owe him a phone call?
I owe Dizzy everything...except a phone call.
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Pre-titles card: "There are no second acts in American lives." - F. Scott Fitzgerald See more »
Those viewers who claim the film is flawed are missing the point. Screenwriter Joel Oliansky (who also directed the film "The Competition") attempted (quite successfully I believe) to combine the elements of jazz music with the visual medium of film. Rhythm, tone, the improvisational aspects of be-bop, all of these elements go into creating a movie unlike any produced. It is not to be viewed in the traditional sense of linear story-telling. The mood created by Jack N. Green's cinematography is completed suited to the atmosphere of the 1940's and 1950's. As for acting, let us point out Forest Whitaker's Best Actor Award from the Cannes Film Festival and Diane Venora's Best Supporting Actress Award from the New York Film Critics. This film resounds with fine filmmaking, headed by Clint Eastwood's passion for the music. And what music! Parker's original solos were cleaned up and integrated with modern musicians into a seamless flow. The picture won the Best Sound Academy Award (sadly, its only nomination). Look at this film as a tribute to a man and a music, a recollection of a brilliant yet dissipated life, and a kind of filmmaking rarely seen by today's audiences.
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