The alien criminal from the first movie is dead, but he left a few eggs which are hatching now. The good alien, who still inhabits Tom Beck's body, has been waiting just in case this ... See full summary »
Remake of the 1958 sci-fi horror classic about a deadly blob from another planet which consumes everything in its path. Teenagers attempt without success to warn the townspeople, who refuse to take them seriously.
Donovan Leitch Jr.
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
An alien parasite with the ability to possess human bodies goes on a violent crime spree in LA, committing dozens of murders and robberies. In pursuit of the extraterrestrial criminal is an FBI agent, and the local officer investigating the rash of violence. As they close in on the vicious intruder, the city faces a brutal threat like no other it has ever encountered.Written by
Claudia Christian (Brenda the stripper) likes to tell two stories about her experience in this film. First is the design of her wardrobe: the producers found her breasts visually inadequate, and so designed her costumes to emphasize her buttocks instead. Second is her eye injury: the material exploding from a prop gun scratched her cornea painfully. Because of this, whenever she had to fire a prop gun on Babylon 5 (1994) she would instinctively turn her face away when pulling the trigger, even though this was unnecessary because the Babylon 5 prop guns did not really fire, as all visual effects were to be added in later. See more »
State of the broken windshield during the chase of the "uzi woman." See more »
Lt. John Masterson:
Alhague, how do you like being human?
[At this revelation, Tom Beck looks at Lloyd. Lloyd looks back]
It's all right.
Lt. John Masterson:
Better than being Altairian. Altairians are a filthy people. We could take over this place if we wanted. They have nothing here to stop us.
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This starts out with a bang, literally, and doesn't let up for the entire film. The picture zips along, whether with speedy car chases or interesting suspense, keeping the audience on their toes. We can credit director Sholder for keeping things exciting but I also suspect this was one those scripts that wasn't tampered with much (which is as it should be for most scripts, but isn't in Hollywood). For sheer level of entertainment as a sci-fi thriller, this approaches Terminator (84) - the one to beat. Some of the premise is similar, featuring an unstoppable menace. You're always guaranteed an adrenaline rush with scenes of cops firing their weapons repeatedly at someone who just won't fall down; they may slow him or it down, perhaps stagger it, but in the end they need something more than just bullets.
This pic represents a fortunate confluence of personnel and events. The two lead actors, MacLachlin & Nouri, had just reached their respective peaks in their careers and both were at the top of their game (both careers went into downswing afterward but it can't be blamed on this film). In fact, I'd venture that this film contains both their best roles. Nouri is the strong-willed earth-man cop and MacLachlan takes full advantage of his unusual persona to play an alien visitor (sort of like Jeff Bridges in "Starman"/1984, but Bridges had to try harder). The supporting cast are all great too, with many having to play two versions of themselves. Who can forget Christian as an exotic dancer suddenly gone gun-crazy? There's a lot of inherent humor in such scenes. The best and most memorable must be the one with Boyett acquiring a Ferrari in his own alien style. Just unforgettable.
Unfortunately, there was a forgettable and quite awful sequel several years later. But this remains one of the most unique, vivid alien visitor/invader films of the eighties and nineties.
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