On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
The most acclaimed Star Trek adventure of all time with an important message. It is the 23rd century, and a mysterious alien probe is threatening Earth by evaporating the oceans and destroying the atmosphere. In their frantic attempt to save mankind, Admiral Kirk and his crew must time travel back to 1986 San Francisco where they find a world of punk, pizza and exact-change buses that are as alien to them as anything they have ever encountered in the far-off reaches of the galaxy. William Shatner and Leonard Nimoy return as Kirk and Spock, along with the entire Star Trek crew.Written by
Robert Lynch <firstname.lastname@example.org>
William Shatner and Leonard Nimoy improvised the continuing "Yes" "No" response to Gillian's question about liking Italian. Initially, Kirk was to say "Yes" at the same time Spock said "No", but the actors came up with the alteration while filming the scene. See more »
When Kirk asks Scotty how long the transporter bay is, he replies, "About 60 feet." Other units of measure throughout the movies have characters using metric units (meters, kilometers, etc) so it seems much more likely that Scotty would have said, "About 18 meters." See more »
Damage control is easy. Reading Klingon - that's hard.
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The ending credits play on top of photos and clips from the film. See more »
The film was originally released in 1986, which was the 75th Anniversary of Paramount Studios. Accordingly, the opening logo for the film originally had the 75th Anniversary sign on it, as did the original video release. All subsequent video releases (and at least some 35mm film prints) have included the regular Paramount logo. See more »
A Vivid, Upbeat, Frequently Intelligent and Delightful Sci-Fi Adventure
The fourth entry in the "Star Trek" movie series is the most popular and unarguably the best-liked of these entertaining movies. It has a fine variety of scenes, intelligent comedy to leaven the more serious adventures. it is fast paced, beautifully directed by Leonard Nimoy who also plays "Spock". What prevented it from being even better perhaps appreciated is a deliberate attempt by the writers to write short, choppy-sentence dialogue that in some scenes does not work as well as more formally-structured words might have worked. The film is bright, the art direction is very good, the music by Leonard Rosenmann is outstanding. And the story line is one of the best that sci-fi filmmakers have yet devised, in my judgment, because it has everything. As Captain James T. Kirk of the 23rd century starship Enterprise, William Shatner acts with unusual intelligence and even strength to get by. As his half-alien First Officer Spock, just recovering from a traumatic experience that caused him to have to be reeducated from ground zero, Leonard Nimoy is even better. Everyone of Jim Kirk's crewmen, including James Doohan as Engineer Montgomer Scott, De Forest Kelley as CMO Leonard McCoy, Nichelle Nichols as Lt. Uhura of Communications, talented George Takei as Helmsman Sulu, and Walter Koenig as Navigator Pavel Chekhov, have good scenes to perform and do them seamlessly and with professional style. Others in the cast including Brock Peters, Jane Wyatt, Mark Lenard, Grace Lee Whitney, Alen Henteloff, Robert Ellenstein and a relative unknown as the earthwoman who becomes enmeshed in the Enterprise officers' mission,are given telling moments. There are many memorable visual moments, including the departure of a stolen Klingon warbird from the planet Vulcan, the near-wreckage of Starfleet Headquarters, the landing of an invisible vessel in Golden Gate Park, a slingshot run around the sun, a descent from the invisible craft to the ground, scenes around the Alameda Navy Yards, a chase in a hospital and scenes at the cetacean Institute all make themselves hard-to-forget. It is the sheer fun and adventure of the storyline--sending a starship back in time to rescue two hump-backed whales and save the earth from alien destruction--that sets this film apart. Ignored by critics who have nearly always ignored sci-fi achievements, this cinematic attainment set a standard for future sci-fi to which hardly any film's maker has yet approached. The revelation of character could have been deeper, but the relevance of every moment to the plot line could hardly have been bettered. Harve Bennett deserves some of the credit for this script's excellences; so do the special-effects creators, since for once in Hollywood, every such effects serve to further the progress the central character and his helpers are making. This is probably a film to be watched over and over; I wish there were more such adult sci-fi efforts that eschew pretension and present so much intelligent dialogue, acting and intriguing "differences".
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