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Sid and Nancy (1986)

Trailer
1:16 | Trailer
The relationship between Sid Vicious, bassist for British punk group Sex Pistols, and his girlfriend Nancy Spungen is portrayed.

Director:

Alex Cox

Writers:

Alex Cox (screenplay), Abbe Wool (screenplay)
Reviews
Popularity
4,534 ( 403)

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Nominated for 1 BAFTA Film Award. Another 4 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Gary Oldman ... Sid Vicious
Chloe Webb ... Nancy Spungen
David Hayman ... Malcolm
Debby Bishop Debby Bishop ... Phoebe
Andrew Schofield ... John
Xander Berkeley ... Bowery Snax
Perry Benson Perry Benson ... Paul
Tony London Tony London ... Steve
Sandy Baron ... Hotelier - U.S.A.
Sy Richardson ... Methadone Caseworker
Edward Tudor-Pole ... Hotelier - U.K.
Biff Yeager ... Detective
Courtney Love ... Gretchen
Rusty Blitz Rusty Blitz ... Reporter
John Spacely John Spacely ... Chelsea Resident
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Storyline

Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, Vicious attempts a solo career while in the grip of heroin addiction. One morning, Nancy is found stabbed to death and Sid is arrested for her murder. Written by Alexander Lum <aj_lum@postoffice. utas.edu. au>

Plot Summary | Plot Synopsis

Taglines:

Love kills


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Alex Cox

Country:

UK

Language:

English

Release Date:

7 November 1986 (USA) See more »

Also Known As:

Sid and Nancy: Love Kills See more »

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$50,829, 19 October 1986

Gross USA:

$2,826,523

Cumulative Worldwide Gross:

$2,850,707
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In a later interview, John Lydon was asked the question, "Did the movie get anything right?" to which he replied: "Maybe the name Sid." See more »

Goofs

In the second half of the movie when Sid and Nancy are in the the methadone clinic, there is anti-drugs poster behind the person handing the methadone out. The poster uses artwork featured on the cover of the Iron Maiden album 'Number of the beast'. The scene is set in 1978/79, but the Iron Maiden album and subsequent artwork in question didn't come out until 1982/83. See more »

Quotes

Sid: [playing on his bass] And we don't fucking care!
John: No, there's no "fucking". It's just "we don't care"
See more »

Crazy Credits

"And introducing the young Cat Vicious in the role of Smoky, Sid and Nancy's child." See more »

Connections

Referenced in Nana: Dream of Suite Room (2006) See more »

Soundtracks

My Way
(Comme d'Habitude)
Music by Claude François and Jacques Revaux
French lyrics by Gilles Thibaut
English lyrics by Paul Anka
Performed by Gary Oldman, Glen Matlock, Dave McIntosh, John Hoare
Orchestrated by Trevor Bastow
© Chappell Music Ltd
See more »

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User Reviews

 
Intense and well acted but ultimately depressing and unrevealing look at the infamous punk rock couple.
3 August 2000 | by lordguanoSee all my reviews

The brilliant performances of Gary Oldman and Chloe Webb in the title roles propel this bleak and depressing look into the calamitous relationship between Sex Pistols bass player Sid Vicious and American punk rock groupie Nancy Spungen. The characters are introduced to us in tragedy right from the opening scene, casting the rest of the film with a fatalistic sense of impending doom. These are two tortured souls in communion who seem at odds with just about every facet of society -- even the extreme punk rock counter-culture to which they both ostensibly belong.

A major problem with the film (and all the more reason to tip our hats to the two leads) is that Sid and Nancy are written as such abrasive and disagreeable characters, one is hard pressed to relate to them on any meaningful level.

And while the re-creation of their reckless and volatile rebelliousness is quite detailed and credible, we never get a sense of how they came to be so angry and tortured to begin with. Even the smallest glimpse at their inner turmoil would have gone a long way in creating sympathy and concern from the audience. Instead, director Cox relies on the pureness of their genuine love for each other to provide that hook. That strategy succeeds to the extent it does ONLY because of Oldman's and Webb's amazing transformation into these parts.

If you own a DVD player, try to get a hold of the Criterion Collection edition of this film. That disc contains some excellent, revealing footage of the REAL Sid and Nancy that was shot for a contemporary documentary on the Sex Pistols ill-fated 1978 tour of the USA. If nothing else, the footage will increase your appreciation for these two splendid performances.


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