A multi-faceted film based on Raymond Jean's novel "La Lectrice". Constance (Miou-Miou) reads the novel aloud in bed to her lover. Inspired by the story of Marie, a woman who advertises her... See full summary »
Young innocent aristocrat Benjamin comes to live with his Countess aunt. Her lover teaches him the techniques of seduction and sends him to test them, first on the maids, then on the upper class Anne and finally on the countess herself.
A magnate and his younger wife hire David to teach guitar to their teenage daughter. The wife quickly seduces David, and simultaneously he strikes up an acquaintance with the family's ... See full summary »
1830, somewhere in France. Aurore is a young, beautiful and virtuous widow. She meets Raphael, a man of leisure, a debauchee. Raphael is obsessed by the death, and wait for it by chasing ... See full summary »
Lady M. wades every morning through the sea in order to heal her pain. But she is not what she pretends to be: Together with her partner Pompilius she finances her luxurious life by fraud ... See full summary »
In occupied France during the WWII, a German officer is murdered. The collaborationist Vichy government decides to pin the murder on six petty criminals. Loyal judges are called in to convict them as quickly as possible.
Le Paltoquet, a typical whodunit, is an interesting lesson in nihilism. First of all, the characters have no names. They are referred to as 'the journalist' or 'the doctor'. Secondly, there is no real set. Sure, there is a hall, there are chairs, tables and a bar, but that's all. There is nothing to hide the fact that it is not a real bar but a studio. This brings Le Paltoquet as close as possible to a filmed stage version.
It reminds me of Dogville, but I enjoyed it a lot more. These actors have to compensate for the emptiness of the sets with their charm. The best part is that all kinds of famous French actors, Daniel Auteuil, Michel Piccoli, Jean Yann, Jeanne Moreau and Fanny Ardant were likely enjoying this experiment. The famous actors in Dogville probably did that as well, but somehow that movie lacked cheerful anarchism and gave me the feeling that most of the actors probably played in that film to boost their resumes.
I treasure the bizarre moments when Piccoli presses a button and puts everything on hold. Just as the bartender provides the thrilling music himself by turning on a pick-up and pointing towards the door where the commissioner comes bursting through. The film does indeed have some shortcomings, the dialogue is not that sparkling, and the characters remain flat, but simply getting a experimental film made like this was a great feat.
5 of 7 people found this review helpful.
Was this review helpful to you?
| Report this