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To Live and Die in L.A. (1985)

A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.

Director:

William Friedkin

Writers:

Gerald Petievich (novel), William Friedkin (screenplay) | 1 more credit »
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Popularity
3,617 ( 502)
3 wins. See more awards »

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Cast

Cast overview, first billed only:
William Petersen ... Richard Chance (as William L. Petersen)
Willem Dafoe ... Eric Masters
John Pankow ... John Vukovich
Debra Feuer ... Bianca Torres
John Turturro ... Carl Cody
Darlanne Fluegel ... Ruth Lanier (as Darlanne Fleugel)
Dean Stockwell ... Bob Grimes
Steve James ... Jeff Rice
Robert Downey Sr. ... Thomas Bateman (as Robert Downey)
Michael Greene ... Jim Hart
Christopher Allport ... Max Waxman
Jack Hoar Jack Hoar ... Jack
Valentin de Vargas ... Judge Filo Cedillo (as Val DeVargas)
Dwier Brown ... Doctor
Michael Chong ... Thomas Ling
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Storyline

Working largely in cases of counterfeiting, LA based Secret Service agent Richie Chance exhibits reckless behavior which according to his longtime and now former partner Jimmy Hart will probably land him in the morgue before he's ready to retire. That need for the thrill manifests itself in his personal life by his love of base jumping. Professionally, it is demonstrated by the fact that he is sextorting a parolee named Ruth Lanier, who feeds him information in return for him not sending her back to prison for some trumped up parole violation. With his new partner John Vukovich, Chance is more determined than ever, based on recent circumstances, to nab known longtime counterfeiter Ric Masters, who is more than willing to use violence against and kill anyone who crosses him. Masters is well aware that the Secret Service is after him. Masters' operation is somewhat outwardly in disarray, with Chance being able to nab his mule, Carl Cody, in the course of moving some of the fake money, ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

The director of "The French Connection" is on the streets again! See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Arabic | Spanish

Release Date:

1 November 1985 (USA) See more »

Also Known As:

To Live and Die in L.A. See more »

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$3,551,761, 3 November 1985

Gross USA:

$17,307,019

Cumulative Worldwide Gross:

$17,307,019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

There is an edited and significantly shortened version with a shrunken screen size and low resolution that was shown on TV. In the credits for that version, William Friedkin's name for director and [co]screenplay was changed to "Jackson Fourre." One might suspect that Friedkin's contract allows for or even requires the removal of his name when the film is changed from his original director's cut. See more »

Goofs

In the final scene between Masters and Vukovich in the warehouse, after all the rounds have been fired, Vukovich keeps pulling the trigger. You also hear the sound of the pistol's hammer striking, but the cylinder of the revolver is not rotating. See more »

Quotes

Richard Chance: Remember me? Football game at the airport?
See more »

Crazy Credits

Right at the end, after the credits, there is a shot of William Petersen's face See more »

Alternate Versions

German theatrical and VHS versions were cut by 25 seconds to secure a "Not under 16" rating. DVD release is uncut with the same rating. See more »


Soundtracks

L.A. L.A.
Written by Jerry Leiber
Music by Jed Lieber
Performed by AM-FM
See more »

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User Reviews

 
Excellent pacing and effective marriage of action and music
5 February 2005 | by mmasvSee all my reviews

Worthy of the director of "French Connection," the pace of this set- in-LA action thriller immediately draws the view in and never lets up. A car chase in the best traditions of "Bullitt" and of Friedkin's own "French Connection" is centers the action, but the motivation of a rogue agent obsessed with the death of his partner, and clearly with his own death, are well- and credibly- drawn. The most sympathetic character in the story is not one of the principals. It is a female informer. An ex-con at the mercy of those on both sides of the law, she is callously exploited by all. Her feelings for Agent Chance are more implied than explicit, but they are believable as is his indifference to her as a person. This riveting film never lets your attention wander. Thanks to Friedkin, we are told, we are given a credible ending to this taut, tightly- wound thriller. An under-exposed, under-appreciated work; excellent for the genre.


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