An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
Susan wants her reprehensible ex-husband dead and, in several bungled attempts by henchmen, tries to accomplish the deed. First her boyfriend hires two dim-witted hitmen. Then she hires a ... See full summary »
Ed Okin's life is somewhat out of control. He can't sleep, his wife betrays him, and his job is dull. One night, he starts to drive through Los Angeles, and he finally ends in the parking garage of Los Angeles International Airport. Moments later, a beautiful young lady jumps onto his bonnet and he finds himself being chased by four Iranians. What follows is a wild chase through the streets of Los Angeles, and a very funny one too.Written by
Harald Mayr <email@example.com>
Airport scenes in this film (and Coming to America (1988)) have a call over the PA system for a Mr. Frank Ozkerwitz to pick up a white courtesy telephone. This is a reference to Frank Oz, who always makes an appearance in John Landis' films, although his real last name is Oznowicz. See more »
The Ramada room door opens one way when Clu Gulager and others enter the room (714?), and opens the opposite direction when he leaves the room See more »
[faces SAVAK man in the airport. SAVAK man holds gun to Diana's head]
This is ridiculous. Big shot, huh? You got a gun. Now what? Shithead, you. Huh? Maniac. Let me ask you something. Maybe you can help me. What's wrong with my life? Why is my wife sleeping with someone else? Why can't I sleep?
See more »
Nearly everything is credited in this film. Even the Used-Cars-Salesmen shown in commercials (Cal Worthington, Pete Ellis) and the cast of a b/w-movie (Abbott and Costello Meet Frankenstein) in Hamid's Apartment are credited See more »
Let's Get It On
Written by Marvin Gaye and Ed Townsend
Published by JOBETE MUSIC CO., INC., CHERRYTOWN MUSIC CO., INC. and STONE DIAMOND MUSIC CORP.
Performed by Marvin Gaye
Courtesy of MOTOWN RECORDS See more »
A man's depression and insomnia drive him "Into the Night" and a lot of trouble in this enjoyable 1985 film. Goldblum is Ed Okin, an LA aerospace engineer whose sleep problems are causing him difficulty on his demanding job. His friend (Dan Ackroyd) suggests that the next time he has insomnia, he head for Las Vegas where no one sleeps. After he sees his wife cheating on him, that's just what he does. Then Diana (Michelle Pfeiffer) jumps into his car and his night turns into a dangerous adventure. Pfeiffer has smuggled perfect emeralds into the country for a promised fee, except that everybody is now after her and willing to kill to get them.
There are some great, quirky moments in this film, and one of my favorites occurs when Ed and Diana walk into the apartment of her brother (Bruce McGill) which is wall to wall Elvis. Then her brother walks in - he's an Elvis impersonator. Priceless. Diana and Ed take his car which has the words THE KING LIVES painted across it. One faction looking for the emeralds come off like the Middle Eastern version of the Stooges, particularly in a beach house scene where, trying to get out of a door, one of them keeps hitting himself in the face with it.
The unique thing is that director John Landis has cast many of his fellow directors: Lawrence Kasdan, Jonathan Demme, Paul Mazurski, Amy Heckerling, David Cronenberg, Roger Vadim, Jonathan Lynn, Jack Arnold, Don Siegel, Andrew Marton, Richard Franklin, Colin Higgins, Jonathan Kaufer and Carl Gottlieb - that's a partial list. They're all good, too.
The always terrific Jeff Goldblum gives us a shell-shocked Ed who seems to take each moment as it comes with what is either calm or numbness - it's unclear which, but it works in the role. Pfeiffer is a young beauty in this - she has a very brief, distant nude scene - and is certainly the type of gal a man would go out of his way to help. She's very appealing. Old-timer Clu Gulager also makes an appearance toward the end, and David Bowie has a menacing role as one of the people after the emeralds. There are some fun shots of Los Angeles like Hollywood Boulevard in front of Frederick's of Hollywood that are a real kick.
"Into the Night" is offbeat and fun with enough violence to make it somewhat edgy. A real find.
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