Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.
Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Peter Venkman, Ray Stantz and Egon Spengler work at Columbia University. where they delve into the paranormal and fiddle with many unethical experiments on their students. As they are kicked out of the University, they really understand the paranormal and go into business for themselves. Under the new snazzy business name of 'Ghostbusters', and living in the old firehouse building they work out of, they are called to rid New York City of paranormal phenomenon at everyone's whim. - for a price. They make national press as the media reports the Ghostbusters are the cause of it all. Thrown in jail by the EPA, the mayor takes a chance and calls on them to help save the city. Unbeknownst to all, a long dead Gozer worshiper (Evo Shandor) erected a downtown apartment building which is the cause of all the paranormal activity. They find out the building could resurrect the ancient Hittite god, Gozer, and bring an end to all of humanity. Who are you gonna call to stop this terrible ...Written by
The ectoplasm was made from methylcellulose ether, a thickening agent used in processed foods. See more »
(at around 7 mins) Light reflector behind Egon while walking with Mr. Delacorte in the library. See more »
Dr. Peter Venkman:
All right, I'm gonna turn over the next card. Concentrate... I want you to tell me what you think it is.
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There are no opening credits for this film, other than the title. See more »
On the 70mm prints, the shot featuring the cover of The Atlantic, during the montage, is composited differently: the shot opens 'clean', then the cover slides in from the right, holds and then wipes to the left. On 35mm prints, the shot opens with the cover already in place. See more »
Many comedies age poorly, but I thought that this one has held up pretty well. Lots of special effects (which have also held up pretty well) but the comedy does not get lost in them. Murray does his absurd deadpan, Ramis his low-key deadpan, and Ackroyd his high-energy weirdness. Sigourney Weaver proves that she has comedic chops. Still pretty good, not great.
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