Several lost-soul night-owls, including a nightclub owner, a talkback radio relationships counseller, and an itinerant stranger have encounters that expose their contradictions and ...
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Just released from prison, a young woman arrives in town to "start a new life", but soon begins stalking a married construction worker for no apparent reason, turning his life inside out and eventually terrorizing him and his wife.
During summer vacation on Fire Island, three young people--a girl and two guys--become so close that they form a sort-of threesome. When an uncool girl tries to infiltrate the trio's newly ... See full summary »
Several lost-soul night-owls, including a nightclub owner, a talkback radio relationships counseller, and an itinerant stranger have encounters that expose their contradictions and anxieties about love and acceptance.Written by
Robert Dennys <firstname.lastname@example.org>
Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in November 1997. See more »
Stay by your phone, Doctor Nancy Love will be up on KCMY talk radio with The Love Line.
I recommend that you examine the deeper feelings you have for your wife, Tom.
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With atmosphere to spare. If you've never wandered LA's back-streets at night, this movie will give you a taste.
The theme of this movie is a common one, the search for love.
Highly stylized. Overloaded with delicious details and clever ideas. Characters with quirky (and intriguing) personality traits. What male viewer wouldn't want to be like the main protagonist, Keith Carradine's character? Fighter pilot, spy, expert mechanic. What female viewer wouldn't identify with either of the two lead female roles? Tough yet vulnerable, sexy, desirable, but unable to play the mating game and win.
All the characters are interconnected, but they don't always know it. The writer/director gets full marks for interesting characters and a story that twists and turns in on itself, but now comes the challenge of making it cohesive and comprehensible. That's where the movie doesn't hold up as well.
There is not enough "glue" between scenes. There are too many places where the plot takes a leap and the viewer is expected to fill in the gap. I found myself asking, "where did that come from?". I kept wanting to replay the previous scene because I had missed the transition, but there wasn't one.
I wish Rudolph had a collaborator with the screenplay and the directing. I feel the casting was very good, but the performances are often stilted, like what you might find in a high school production. Awkward pauses and intonations in the dialog. This also makes the story hard to follow and hard to believe. I can't decide if this was intentional or not. Reminds me of Hal Hartley.
This movie is not for everyone. Personally, I love it, warts and all. I've seen it three times and own the DVD. The Teddy Pendergrass songs are wonderful and I would say under-used in the film. Very surprised to see Maltin give this 3.5 stars, even if it is "a critics movie". He must have been in a good mood that day.
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