In 2017, a successful businessman travels to the ends of the earth to find that the perfect woman is always under his nose. He hires a sexy renegade tracker to find an exact duplicate of his android wife.
Steve De Jarnatt
Alex, a burned out LA cyborg cop, is forced by commissioner Farnsworth to find his former cyborg partner and lover Jared who's about to deliver sensitive data to cyborg terrorists who wish to wage war against humans. Is he being played?
In a backward post-apocalyptic world, She aids two brothers' quest to rescue their kidnapped sister. Along the way, they battle orgiastic werewolves, a psychic communist, a tutu-wearing ... See full summary »
Three women make an emergency landing on a planet plagued with a fatal disease, but are captured by dictator Overdog. Adventurer Wolff goes there to rescue them and meets Niki, the only Earthling left from a medical expedition. Combining their talents, they try to rescue the women.Written by
Due to 3D projection requiring silver screens, cinemas and drive-ins which only had white screens showed the movie in 2D, so as such, the picture rolled out in both 2D and 3D formats, as well as in 70mm in select locations. See more »
"Studio carpark visible when the ship first lands on the planet". The most commonly stated goof, but the error only ever featured in an unfinished workprint of this shot. It occurred because the wrong camera frame type was used for the size of the set. A local news agency obtained a copy of the workprint and incorrectly reported this as an error. The shot was corrected before the film's theatrical release and does not appear on VHS or DVD releases. See more »
Spacehunter is a film I saw as a child, which has remained at the back of my mind for years. Around the same time, I was watching things like Ghostbusters and Star Trek (The Wrath of Khan), and knew nothing about special effects, budgets or story lines. All I knew was that I liked these films. Having recently obtained a copy of Spacehunter, I was pleasantly surprised at how well it holds up, compared to other classics. Yes, a lot of it is hokey nonsense, but in a GOOD way.
Strauss makes a likable rogue, obviously straight from the Han Solo mold, and Molly Ringwald is her usual early eighties cutie. The special effects are fair for the time (though the title sequence leaves something to be desired), and the futuristic 'Mad Max' style vehicles could easily be from a more recent movie.
Michael Ironside is almost unrecogniseable underneath prosthetics, but offers a great performance, hampered only by his lack of mobility in costume. I was especially surprised to recognise Ernie Hudson as a supporting character, playing Strauss' ex-buddy.
In all, a great film with a few minor flaws. I'm amazed this got no further than it did at the time. One of the few post-Star Wars movies that deserves a sequel (which i'm tempted to have a bash at myself).
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