The bounty hunter Nick is offered $250,000 by CIA to get the terrorist behind the bombing of an LA movie theater. Nick quit CIA - he couldn't trust them. Can they be trusted now and can he stop the terrorists before...?
Three navy men run into a shady producer who convinces them to invest into his new show. When they meet the show's female star attraction, they're sold. Have they become the latest showbiz players or just three more suckers?
Grocery clerk Eddie Quaid, in danger of losing his father to alcoholism and his girl Julie through lack of career prospects, goes into boxing. His cop friend McBride finances him; ex-con ... See full summary »
Bart is a clerk for a publishing company. He has written a novel. His wife Peggy and he have five children. Bart's former girlfriend, Mildred, is manager of the company's Paris office. She ... See full summary »
British mathematician Sebastian (Sir Dirk Bogarde), working on code decryption, unexpectedly falls in love with decrypter Rebecca Howard (Susannah York). This leads them to a complicated ... See full summary »
In this adaptation of the Robert Ludlum novel, the host of an investigative news program has been convinced by the C.I.A. that the friends and associates he's invited to weekend with him in the country are actually engaged in a nefarious conspiracy which threatens national security,Written by
Keith Loh <firstname.lastname@example.org>
Sam Peckinpah asked the producers to do re-write work on the script, and was given permission to do so, but after submission of his first few pages, the producers relented, and forbade Peckinpah from doing any more re-writes. See more »
When Tanner goes to the airport, we hear jets taking off and see a sign revealing the place to be the Oxnard Airport in Ventura County. In real life this is a small airport with no facilities for passenger jet takeoff. See more »
Suppose I was to tell you that our enemies are capable of impairing rational thought, of dismantling our willingness to defend ourself, of dissociating whole societies from their value systems.
You mean they've got televisions.
See more »
On the Anchor Bay DVD release there is a rough cut made by Sam Peckinpah which he made showed to the test audience. Because the majority of the audience walked out, from the imfamous sex between Fassett and his wife. The producer wanted Peckinpah to cut the scene out. Once he refuse to made the cuts, he got fired. Other scenes. 1) The sex scene is more extended and shot more wobbly to express how Fassett breaking point for revenge had started. 2) Delete scene of Osterman and Joe talking on the phone about their deal. 3) Extended scene of Virginia flirting with Dick on the phone. 4) There a deleted scene of John Tanner of having an affair with his director Marcia, there wakes up to find her dead. 5) The scene where Tanner and guest are arguing by the dinner table, in the theatrical cut Fassett switches on a Swiss ad, the Peckinpah's cut he has like a big image of Danforth. 6) Alterative ending is juxtapositioned between Tanner searching for his family and the TV studio. See more »
"The truth is just a lie that hasn't been found out."
Sam Peckinpah is one of my favorite directors. I'll always see him as a visionary maverick responsible for crafting some of the most enjoyable movies I've ever seen. His The Wild Bunch and Bring Me the Head of Alfredo Garcia are among my favorite films. His last film, The Osterman Weekend, is something of a mixed bag. On the positive side, it has several good action set pieces that are very reminiscent of the other films I've mentioned. Scenes of bullets and arrows flying through the air and a particularly brutal fight scene with a bat filmed in slow-motion remind me of Peckinpah's glory days. Unfortunately, there's a plot in there that gets in the way of the fun. I've seen The Osterman Weekend twice now and I'm as confused about some of the events in the movie as I was the first time I saw it. I don't know if it was just Peckinpah being stubborn, but it feels unnecessarily confusing. There are plot points that go nowhere, plot holes big enough to drive the proverbial truck through, and plot twists that don't work. After a good set-up, the movie simply loses its way. A script that didn't try so hard to be clever and secretive and some judicious editing might have made The Osterman Weekend a winner.
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