7.7/10
16,991
97 user 71 critic

Missing (1982)

When an idealistic American writer disappears during the Chilean coup d'état in September 1973, his wife and father try to find him.

Director:

Costa-Gavras

Writers:

Costa-Gavras (screenplay), Donald E. Stewart (screenplay) (as Donald Stewart) | 1 more credit »
Won 1 Oscar. Another 10 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jack Lemmon ... Ed Horman
Sissy Spacek ... Beth Horman
Melanie Mayron ... Terry Simon
John Shea ... Charles Horman
Charles Cioffi ... Captain Ray Tower
David Clennon ... Consul Phil Putnam
Richard Venture Richard Venture ... U.S. Ambassador
Jerry Hardin ... Colonel Sean Patrick
Richard Bradford ... Andrew Babcock
Joe Regalbuto ... Frank Teruggi
Keith Szarabajka ... David Holloway
John Doolittle ... Dave McGeary
Janice Rule ... Kate Newman
Ward Costello Ward Costello ... Congressman
Hansford Rowe ... Senator
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Storyline

In September1973, in Chile, the American journalist Charles Horman arrives in Valparaiso with his friend Terry Simon to meet his wife Beth and bring her back to New York with him. However, they are surprised by the military coup d'état sponsored by the US Government to replace President Salvador Allende and Charles is arrested by the military force. His father Ed Horman, a conservative businessman from New York, arrives in Chile to seek out his missing son with Beth. He goes to the American Consulate to meet the Consul that promises the best efforts to find Charles while the skeptical Beth does not trust on the word of the American authorities. The nationalism and confidence of Ed in his government changes when he finds the truth about what happened with his beloved son. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Charlie Horman thought that being an American would guarantee his safety. His family believed that being Americans would guarantee them the truth. They were all wrong.


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Mexico

Language:

English | Spanish | French

Release Date:

12 March 1982 (USA) See more »

Also Known As:

Desaparecido See more »

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Box Office

Budget:

$9,500,000 (estimated)

Gross USA:

$14,000,000

Cumulative Worldwide Gross:

$14,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono | Mono (magnetic tape PYRAL)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The movie was nominated for four Academy Awards including Best Picture, Best Actor (Jack Lemmon) and Best Actress (Sissy Spacek). The film won one Oscar, for Best Writing, Screenplay Based on Material from Another Medium, awarded to Donald E. Stewart and Costa-Gavras, the latter of whom was not present at the awards ceremony. See more »

Goofs

Ed is shown arriving in Chile on a Pan Am DC-10. Pan Am did not operate the DC-10 until 1980 when it purchased National Airlines. See more »

Quotes

Embassy driver: If you don't mind my asking, what's Christian Science about?
Ed Horman: [Distracted] Faith... It's about faith.
Embassy driver: Faith in what?
Ed Horman: Truth.
See more »

Connections

References Z (1969) See more »

Soundtracks

Eine kleine Nachtmusik
(uncredited)
Music by Wolfgang Amadeus Mozart
See more »

Frequently Asked Questions

See more »

User Reviews

Gripping
2 December 2014 | by dougdoepkeSee all my reviews

There's a particularly chilling scene in this movie. It comes near the end in a confrontation between Charles Horman (Jack Lemmon) and staff members of the American ambassador in post-coup Chile, 1973. To this point the staff has sounded polished and professional in their concern for Horman's missing son, an apparent casualty of the coup. But in this scene the devious reality of American policy begins to emerge from behind the velvet glove, and Horman's passage from credulous liberal to disillusioned skeptic is complete. In a nutshell, the scene symbolizes one of the great divides in American political life, between the polished propaganda face our government presents to the people and the grim realities that face covers over, especially in dealing with Third World countries like Chile. Horman represents the frustration many feel in trying to deal with a cosmetic facade supported by both major political parties, when beneath it crouches the murderous policies of imperial rule.The real question the film poses is what Horman will do upon returning home.

The film itself remains a gripping eyeopener from first to last. Costa-Gravas is especially good at recreating the abject terror of fascist rule: where long hair is forbidden and women are forced back into skirts, where people are present one minute and gone the next, where a democratically elected government is present one minute and gone the next, and where a Henry Kissinger can do the behind-the-scenes dirty work and be honored for it (not in the movie, but true nevertheless). The acting is first-rate, and a tour-de-force for Lemmon in particular. Ditto, the often overlooked Charles Cioffi who puts the real chill in the confrontation scene. Two complaints: the arch symbolism of the riderless white horse conflicts with Costa-Gravas's documentary approach, and why, oh why, did they have to make Horman's son so cuddly. The audience gets the point without spooning on the sugar. Anyhow, this remains a fine piece of revelatory film-making and retains as much relevancy for today's audience as it did twenty years ago.


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