After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
After a daring mission to rescue Han Solo from Jabba the Hutt, the Rebels dispatch to Endor to destroy the second Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
In the 21st century, a corporation develops human clones to be used as slaves in colonies outside the Earth, identified as replicants. In 2019, a former police officer is hired to hunt down a fugitive group of clones living undercover in Los Angeles.Written by
The novel hints at the "Is Deckard a Replicant?" problem by having Deckard casually mention that one indicator of an android is a lack of sympathy for other androids. His interlocutor then points out that, given his job, this means that Deckard could be one too. See more »
When Deckard performs the Voight-Kampff on Rachael there is a bellow measuring her breathing, yet we do not see Deckard attach it and there was no such apparatus attached to Leon. (The bellows are designed to collect invisible airborne particles emitted from the body, as mentioned in the original 1982 Blade Runner press-kit.) See more »
Female announcer over intercom:
Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
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In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »
Some television broadcasts have a narrator reading aloud the opening scrawl. See more »
This is simply Scott's finest hour. There are a sheer plethora of futuristic films with vision. Films which crudely grope into a possible time ahead,when perhaps a post apocalyptic era is scattered with cliché upon cliché and often miss the whole point. What Ridley Scott achieved with this film,is an entirely possible scenario. It really does feel like a science fiction novel brought to life,but not so much as its derivative penned by Phillip K Dick(do androids dream of electric sheep?). Its a grimy,violent world inhabited by the sick,lower class,villainous second citizens who haven't quite made the grade for the off world colonies. We have a true smelting pot of nationalities.The heavy eastern references within china town like inner cities is particularly poignant.
This film also sees Ford in perfect casting.Theirs a rye charm that Ford has that no other actor could fake or fill quite as effortlessly. Its a mixed review depending on what version you have seen. For me,the directors cut is simply too cut. I preferred the audience friendly screening which had the wonderful narration. The finest moment with this narration has to be the moments described by Batty in his dying eyes and the summing up by Ford of this man/machines passion and love for life.. No other sci-fi futuristic film has ever made the grade before or since in my humble opinion. It captured the raw smells and light of a brutal future scarily depicted in films or even so well. From the chase scene with Zora to the flybys over the city capturing a stunning skyline,chimneys and skyscrapers in one shot. This is my favourite movie of all time for all the reasons above and many more i could effortlessly type all day and night.
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