Duane recovers from his delusional breakdown to find his freakish basket-bound brother Belial will soon become a father. But not everything is joyous as the once tight knit brothers no longer seem to trust each other.
Kevin Van Hentenryck,
One morning, a young man wakes to find that a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but demands human victims in return.
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
A group of young shopping mall employees stay behind for a late night party in one of the stores. When the mall goes on lock-down before they can get out, the robot security system malfunctions, and goes on a killing spree.
Charming country bumpkin Duane Bradley takes a motel room in New York with a basket and a backpack. In a flash back-series we learn the basket contains his surgically removed Siamese twin who is not only physically deformed so badly the doctors hesitated to consider him a human, but is also the vindictive drive of their trip, with the purpose to kill off all those he blames. But in the reception of one of those doctors, Duane gets his first ever date, with the receptionist, and wants to start a positive life too - when the freak twin escapes, the scene is set for a grim finale.Written by
Most of the credits that appear at the end of the film are fake. The crew was very small and, rather than repeat the same names over and over again, they decided to just make up names. See more »
As Dr. Cutter's date pours wine, the wine bottle swaps from her right to left hand. See more »
[Shortly after booking into the hotel, Duane is accosted by a strange woman he does not know]
Hi! I'm Josephine! What room are you in?
Oh, you are so lucky! That's the best room in the place! It was lived in by a little old lady who only went out on Sundays. She lived there for ages, used to tell everyone she was rich, owned oil wells in Texas, had millions, and was hiding from her relatives who were trying to steal it from her. She'd creep up to you and say... "They're trying to take my ...
[...] See more »
Since the crew only consisted of three or four people, many of the names in the credits are fictitious. See more »
The Australian version, released on the Roadshow Home Video label, is uncut, and is the same as the American unrated version. See more »
Frank Hennenlotter's "Basket Case" highlights the problem with horror films of today. Back in the eighties, films would be made with an idea and no budget, and the result would nearly always see the release of an inventive and interesting horror film. Basket Case is no exception to this, as despite hokey effects, a rather silly story and some very suspect acting; Basket Case is a trash classic all the way, and it's a film that's guaranteed to delight fans of horror. The story capitalises on the fact that many people (including yours truly) find the subject of deformity uncomfortable, and the subject of living with it even more so. The plot follows a strange young man that carries a basket around with him. Inside the basket lies his hideously deformed Siamese twin, and the deformity wants it's revenge!
This leads the two brothers to seek out the doctors that separated them and brutally butcher them, and delivering us with a great camp horror movie! The central creature - namely, the deformed brother, is a masterpiece of creature design. The thing itself looks ridiculous, but in spite of this it actually manages to be quite frightening, and once you've gotten over the initial giggles: it takes on a life of it's own, and even manages to become quite believable. The film is sufficiently gory, which will no doubt be good news for everyone that wants to see it. Frank Hennenlotter is one of those directors that obviously has talent and flair for making films, but also hasn't been given a real chance to realise it. It's a massive shame that the endless amounts of remakes continue to get released on huge budgets, while someone that could make a great movie is blessed only with chicken feed to make them with. Just wait until the part where the brothers' story is told that's inventiveness for you! One thing I do love about the director is the way he casts his lead; the one here is certainly odd enough, in a naive loser sort of a way. On the whole; fans of intricate, deep cinema should stay well clear - while everyone else is preparing themselves for a damn good time!
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