An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.
From the dawn of man to the distant future, mankind's evolution (or lack thereof) is traced. Often ridiculous but never serious, we learn the truth behind the Roman Emperor, we learn what really happened at the Last Supper, the circumstances that surrounded the French Revolution, how to test eunuchs, and what kind of shoes the Spanish Inquisitor wore.Written by
Murray Chapman <email@example.com>
This movie is responsible for popularizing the catchphrase, "It's good to be the King". The expression is said by Mel Brooks during "The French Revolution" segment. Mel (as Rabbi Tuckman) repeated this line in Robin Hood: Men in Tights (1993). See more »
As Comicus and Swiftus are watching Josephus performing on the slave auction block, there's a girl standing behind them in some shots and not in other shots. See more »
Last shot of the film shows a wagon riding off into the horizon with a mountain carved into the words "THE END" in the background. See more »
The German TV version is missing the "Hitler on Ice" segment during the finale. Also, there is a small bit missing in the stone age segment, showing the invention of art (wall painting), and the first critic taking a leak on the masterpiece. See more »
Although it is aged around the edges, History of the World is one of my favorite comedies. Admittedly, I have a good 100 in my "favorites" list, but HotW is definitely in the top 25. It is pure enjoyment and while sometimes raucous, it is never raunchy. Tactless, but never dumbed down, and that makes for the best kind of comedy.
In true Brooks fashion, this work takes you from a parody of life to a satirical pop-culture vehicle. Unfortunately, the many late 1970's pop-culture references throughout the dialog is what dates this work. Otherwise, it would still be fresh, today.
Led by Mel Brooks's polished stylized direction, this work is not only hilarious, but is clever in its irony. It never takes itself too seriously, and delivers with every scene.
If you liked Wholly Moses, you will LOVE this!
It rates a 6.4/10 from...
the Fiend :.
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