6.4/10
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Yanks (1979)

R | | Drama, War | 2 November 1979 (UK)
During WWII, the United States set up army bases in Great Britain as part of the war effort. Against their proper sensibilities, many of the Brits don't much like the brash Yanks, ... See full summary »

Director:

John Schlesinger

Writers:

Colin Welland (story), Colin Welland (screenplay) | 1 more credit »
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Nominated for 2 Golden Globes. Another 6 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Gere ... Matt Dyson
Lisa Eichhorn ... Jean Moreton
Vanessa Redgrave ... Helen
William Devane ... John
Chick Vennera ... Danny Ruffelo
Wendy Morgan ... Mollie
Rachel Roberts ... Mrs. Clarrie Moreton
Tony Melody ... Mr. Jim Moreton
Martin Smith Martin Smith ... Geoff
Philip Wileman Philip Wileman ... Billy (as Philip Whileman)
Derek Thompson ... Ken
Simon Harrison Simon Harrison ... Tim
Joan Hickson ... Mrs. Moody
Arlen Dean Snyder ... Henry
Annie Ross ... Red Cross Lady
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Storyline

During WWII, the United States set up army bases in Great Britain as part of the war effort. Against their proper sensibilities, many of the Brits don't much like the brash Yanks, especially when it comes to the G.I.s making advances on the lonely British girls, some whose boyfriends are also away for the war. One Yank/Brit relationship that develops is between married John, an Army Captain, and the aristocratic Helen, whose naval husband is away at war. Helen does whatever she needs to support the war effort. Helen loves her husband, but Helen and John are looking for some comfort during the difficult times. Another relationship develops between one of John's charges, Matt, a talented mess hall cook, and Jean. Jean is apprehensive at first about even seeing Matt, who is persistent in his pursuit of her. Jean is in a committed relationship with the kind Ken, her childhood sweetheart who is also away at war. But Jean is attracted to the respect with which Matt treats her. Despite Ken ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

We'll meet again. Don't know where don't know when. See more »

Genres:

Drama | War

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

2 November 1979 (UK) See more »

Also Known As:

Yanks - Gestern waren wir noch Fremde See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$3,931,010

Cumulative Worldwide Gross:

$3,931,010
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Mono

Color:

Black and White (archive footage)| Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This film's opening prologue states: "From early 1942 until the invasion of Europe over a million Americans landed in Britain. They came to serve on other battle fronts or to man the vast U.S. Bases in England. Hardly a city, town or village remained untouched." See more »

Goofs

The film is set during WW2, but throughout the very first scene we see modern 1970s road markings. See more »

Quotes

Danny: [naked in an uncovered exterior shower, watching the Red Cross trucks pass] That's the Red Cross...they only do it for officers.
Matt: If you don't put your uniform on, they'll never tell the difference.
See more »

Crazy Credits

The names in the opening credits are divided into two categories: The Americans and The British. See more »


Soundtracks

I've Got Sixpence
(uncredited)
Written by Elton Box, Desmond Cox and Lawrence Hall
See more »

Frequently Asked Questions

See more »

User Reviews

Schlesinger's masterful tale of two cultures
29 July 2001 | by GeofbobSee all my reviews

This is a beautifully judged and paced 1979 film by John Schlesinger, which explores wartime romance and a unique culture clash, with sensitivity, wit and an affectionate eye for the period in which it is set. The time, 1943/4; the place, a small town in the north of England; the parties, the US Army gathering for the invasion of mainland Europe, and the locals grateful for the military assistance but watchful for the virtue of their wives and daughters.

Richard Gere's Sergeant-Cook, Matt, is surely still one of his best and certainly most sympathetic roles. His love affair with shopkeeper's daughter Jean (Lisa Eichhorn) - together with another on/off romance further up the social scale between William Devane's Captain and Vanessa Redgrave's upper class lady - highlight the painful choice between love and loyalty which war often presents. Meanwhile, the sunnier, trouble-free pairing and marriage of boxer Danny (Chick Vennera) and happy-go-lucky Mollie (Wendy Morgan) demonstrates that war can offer fresh starts as well as tragic ends.

Though Schlesinger bases most of the film on the moral (and cinematic) values of the time in which it is set, he reminds us in one sequence of the segregation and race problems in the US Army, which would not be resolved until after the war (and of wider race problems in the US generally, which are still not resolved). Rightly, the movie makes no attempt to avoid emotion; and the ending with the troops, including Matt, Danny and the Captain, moving south to an uncertain future with the invasion force is genuinely moving.


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