At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his ... See full summary »
The bumbling Inspector Clouseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his most daring heist yet: a princess' priceless diamond with one slight imperfection, known as "The Pink Panther".
To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
Simple-minded gardener Chance has spent all his life in the Washington D.C. home of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run-in with a limousine, he ends up a guest of Eve and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.Written by
Scott Renshaw <email@example.com>
Under the end titles of the theatrical release are outtakes of Peter Sellers as Chance recounting the encounter with Abbaz. Sellers breaks character and laughs during each attempt. The lines do not appear in the movie. Certain versions of the film have credits with white text on a black background without the outtakes. See more »
There are two known versions of the closing credits. One features outtakes from the film featuring Sellers during the scene where Chance is getting his leg examined. And the second version, added in at the behest of Peter Sellers who was not happy with its inclusion, features the credits rolling over static, accompanied by the film's theme and sound clips from various television programs, and closed by a clip from a Gatorade commercial from the era. Most prints on television and home video use the first version of the credits. Version #2 was used on the general theatrical release, and in the 1980 MGM/CBS Home Video release of the film. Version #1 was reinstated when the film was reissued on video by CBS/FOX Video in 1983. See more »
Even as a kid I loved this movie and upon seeing it again as an adult I found much to re appreciate in this marvelous sleeper of a film. Sellers is in top form as are the supporting cast--the shear farce of it all makes the improbable seem probable--and as a vehicle for political/social commentary it ranks as one of the best dark comedies ever made. The inclusion of all the 70's TV clips make Being There an invaluable period piece and provide the film with some of it's funniest scenes. The movie also provides an interesting portrayal of the trappings of the super wealthy and it's portrayal of the workings of power and money are reminiscent of some of Kubrick's better work. Check out the all seeing eye of the Illuminati on the apex of the pyramid of "Rand's" mausoleum during the funeral scene. Pretty powerful stuff--makes Being There all the more an important and revealing work--as well as spiritual. Like the protagonist, Chauncey Gardner, there's something about this film that makes you feel better about life and , yeah, even about death. Kosinski's, Ashby's and Seller's gift to us all.
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