Arthur spends his time with booze and whores. His dad has a wife lined up for him that he keeps rejecting - until it's her or being cut off from $750,000,000. Then he goes shopping where he falls in love with a shoplifter.
A wealthy cosmetic tycoon and her 12-year-old daughter who's dying from leukemia, strike up a sentimental friendship with a California politician. Since the girl has only six weeks or less ... See full summary »
Mary Tyler Moore,
16-year old Anastasia and her adopted brother Damir live on a Greek island with their pervy grandfather. She dreams about having a large antique bathtub and he dreams about running a sea-side resort. They begin to fall for each other.
Forty-two year old famed composer/playwright George Webber is going through a midlife crisis. He is seriously dating thirty-eight year old actress/singer Samantha Taylor, who he loves, although he admits their connection is more intellectual than it is emotional. She, in turn, loves him, despite barely tolerating his often infantile behavior. This behavior includes spying on a neighbor's sexual encounters with a wide array of women, this spying about which the neighbor knows, as he does it himself. Driving one day, George spots a young woman who he believes is the most beautiful creature he's ever seen - an "eleven" on a scale of ten, tens which he didn't believe existed before her. Beyond the fact that she is probably half his age, a problem with George's infatuation is that she is just off to her own wedding. George and Sam's relationship takes a hit with an argument which is further exacerbated by a series of misunderstandings. As such, George decides to pursue the woman of his ...Written by
Julie Andrews' first theatrical film in four years, under the direction of her husband Blake Edwards. Andrews' last part had been as Judith Farrow in Edwards' The Tamarind Seed (1974). The DVD sleeve notes for this film state that Andrews "returned to movies after a long absence". See more »
During the rescue scene where George steers the catamaran over the semi-conscious David, a close up of George right before he falls into the ocean shows that he is wearing prescription eye glasses. He tumbles into the water, and quickly emerges, now wearing sun glasses. See more »
When the credits of the cast begins to scroll up and out of the iris of the telescope's view to George and Samantha's inside penthouse, only the members of the cast are seen and not their characters they played. See more »
The TV print substitutes tamer versions of some of 10's racier moments. In particular, scenes featuring porn star Annette Haven as Dudley Moore's exhibitionist neighbor have been removed, replaced with scenes involving another actress. On scene features Moore's character using a telescope to watch a naked A. Haven making love (in the TV version, we see the substitute actress kissing a man while wearing a robe). A later scene, originally shown as a nude orgy, is replaced by a similar scene, but with everyone wearing bathing suits. In addition, the comedic lovemaking scene between Derek and Moore is played in the dark in the TV version. See more »
Boy, this was "hot stuff" back when it came out in 1979: I am referring to both the movie AND Bo Derek!
Actually, Dudley Moore was a box-office star, too. Nobody had heard of Derek before this, but this film certainly made her an overnight sensation. She didn't have to say anything in the film, just walk down a beach. Certainly, the number "10" now had a new meaning in the culture.
Basically, the film is about a guy who spots Derek, and then totally makes a fool of himself over her. Most guys would have done the same thing. Moore, making an idiot of himself as "George Webber," provided a lot of laughs and Bo had to just....well....just let herself be photographed. Fortunately, in real life, she turned out to be far more than just some hot- looking bimbo. I've heard her on several talk shows in recent years, and she's no dummy.....and still looks tremendous. Meanwhile, Moore, who had some tough physical ailments, really didn't have a noteworthy career after this film with one exception: Arthur (1981). The poor man died in 2002.
One forgets that a huge big-name actress co-starred with Moore in this movie: Julie Andrews. Perhaps a good part of that reason we forget that is she doesn't play a memorable character. It fact, she's downright unappealing as Moore's girlfriend "Samantha Taylor."
It's also easy to forget about some of the cultural issues songwriter "Webber" dealt with, bemoaning the shallowness of the current generation and its music tastes, and finally realizing his own shallowness won't lead to happiness just by being with a woman half his age. There are some profound things to ponder in this film even though it often concentrates on the slapstick humor angle. As a guy who has gone through the usual "mid- life" crisis, I would to sympathize with Webber's dilemmas but since this idiot is drunk half the time and an extremely self-indulgent person, I found it hard to "root" for him. Drunks have never been funny to me. So, when I watched this film on VHS 15 years later, it wasn't as fun as the fist time.
Speaking of drinks, Brian Dennehy was excellent as a bartender. I wish he had played more "nice guy" roles like this during his career, instead of so many evil and profane villains.
Along with millions of others, I enjoyed the movie 30 years ago, but now it's kind of sad, too slow and even painful to watch at times. For those of us who saw in the theater, the film now appears somewhat dated, but so are all of us, I guess, are dated, too.
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