After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever.Written by
When Tony first enters 2001 Odyssey, the doorman (gray vest, glasses) stamps his hand and Tony greets him. In the next shot, when Tony moves into the main hall, the doorman is already standing there and Tony shakes his hand. See more »
When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking. See more »
For the PG version some of the language replacement goes as follows: 1. Near the beginning when Tony and his boss are shutting up shop, his boss says to him to 'save his money, build a future', and Toni's response being 'oh fuck the future'. The PG version replaces it as 'to hell with the future'. The entire sequence plays out with the word 'hell' instead of 'fuck' when they talk, it seems like it's an entirely different take shot especially for this version. But also it's a lot darker, you can't see as much compared to the uncut version as if they've maybe darken it so their mouths aren't obvious which may suggest they re-dubbed it but using the same take. 2. When Tony and Annette walk down the stairs to the dance studio and Tony asks if she's 'a nice girl or a c**t?' but the PG version changes it to 'a nice girl or a pig?' 3. When the guys jump off the bridge and Annette runs to the side to look over she yells at them 'you fucker's', the PG version changes it to 'you fakers'. 4. The scene after Tony and Stephanie win the dance contest and Tony doesn't believe they should have won seems to be a different take in the PG version as a boom can briefly be seen at the top of the frame, plus the swearing is replaced, but in the uncut version the boom can't be seen. See more »
Watched this as a 15 year old in 1977 at the local cinema - and like many of my friends it was a watershed moment in my life. Opened our eyes to a whole new world - nightclubs, disco music, women, dreams - there was a whole world out there which we;d never seen. In my small town, mobile discos sprouted everywhere - and we all wanted to be John Travolta....and it was one of the catalysts for me to leave home and explore the world.
Watched it again last night, and as a 50 year old it all came flooding back - melancholia obviously setting in because I felt like a 15 year old again - the memories came flooding back. And whilst some of the movie is obviously dated, it still after all these years gives a sense of joy, hope, youth and dreams. The opening scenes are timeless classics, the music is still sensational, and the film really does have some great characters and some brilliant sub plots.
Stil magic - a timeless classic, and personally probably the most influential film I ever saw.
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