Black Sunday is the powerful story of a Black September terrorist group attempting to blow up a Goodyear blimp hovering over the Super Bowl stadium with 80,000 people and the president of the United States in attendance.
During the 1900 Boxer Rebellion against foreigners in China, U.S. Marine Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
This last film in the 'Airport 'series ends fast - with an SST (supersonic transport); Concorde. Joe Patroni (George Kennedy) Murray deal with nuclear missiles being fired at the'speed-bird... See full summary »
A psychotic sniper plans a massive killing spree in a Los Angeles football stadium during a major championship game. The police, led by Captain Peter Holly and SWAT commander Sergeant Button, learn of the plot and rush to the scene.Written by
Tim Tompkins <firstname.lastname@example.org>
Capt. Holly compares Sgt. Button's SWAT team members to stormtroopers. This does not refer to the troops from Star Wars: Episode IV - A New Hope (1977) (which was released one year after this film) but the German soldiers from WW I. See more »
While moving into their firing positions at the stadium, several SWAT members have their fingers on the triggers of their M16 rifles. This violates a basic rule of gun safety, which says that the finger must stay off the trigger until the sights are on the target. Until that time, the finger should be placed alongside the trigger guard. See more »
You listen. I just hope you pick the right team today, Stu, because if I don't get that 28 G's in my pocket before sundown, you're going to take another trip out the window. And next time, nobody holds the ankles. You got it?
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The network-TV version was cut 45 minutes shorter, keeping the 30-minute robbery plot but losing almost half the length of the original plot. This version is the most often one shown on broadcast TV in the USA. See more »
An all-star cast led by Charlton Heston with likes of John Cassavetes, Martin Balsam, Beau Bridges, Mitchell Ryan and Jack Klugman feature in this well directed, but thinly written semi-disaster fare that never goes beyond its one-dimensional framework. Its central focus follows that of an unknown sniper planning a massacre at a championship football game at the Los Angeles Coliseum, as the coming and going personal dramas of certain people at the game intertwine. Slow to get going and rather one-note in its dramas never being as interesting as it should have been, but it opens up when the SWAT team enters and the sniper finally let's loose for a thrilling final third. As the joy and excitement of the match transforms into confusion and anxiety, where the stadium turns into a shooting pallor. I've read some people complaining about a lack of a motivation for the killer, but really one wasn't needed and the ambiguous nature only made its frenetic climax more effective. For most part it's a waiting game preying upon the inevitable build-up, even though the authorities know about the sniper they don't want to start a panic of hysteria. So it's a scary idea, exploitatively handled and director Larry Peerce creates a large scale look giving it an intense scope. The performances are stalwart, but no one really makes much of an impression.
"Lets not get too nervous about it. "
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