A woman attempts suicide when she suspects her husband doesn't love her and is having an affair. Now she's wheelchair-bound, and her husband, who indeed doesn't love her and is having an ... See full summary »
Fred Olen Ray
While receiving a routine check-up, a woman finds herself stranded on the hospital's eighth floor, while someone dressed as a doctor is intent on her never leaving, even if it means killing any staff member who comes into contact with her.
The original cinema and video version was cut by 2 minutes 54 secs by the BBFC to heavily edit scenes of assault and shots of knife threatening from the rape scene. When the film was first shown on ITV the entire rape sequence was presented as a series of stills. See more »
In the final scene with the shotgun, the edge of a green stuntman's mat (or airbag) is visible at the lower right side of the car. See more »
This is another lurid entry into the misbegotten "rape-revenge" genre, but it manages to be even more sleazy than usual because it was backed by a major studio and it features two of Ernest Hemingway's granddaughters (only one of whom was talented), sisters Margeaux and Mariel Hemingway.
The late model-actress (or, more accurately, model-bad actress)Margeaux Hemingway plays an, um, model (at least she doesn't stretch herself too much) who lets her younger sister's middle-school music teacher (Chris Sarandon) into her house to listen to his weird avante-garde music. Unfortunately, he turns out to be a frustrated psycho (aren't all middle-school music teachers?)who flies into a rage when she ignores him to take a phone call. So he ties her to the bed and violently sodomizes her(!) in a highly exploitative scene that involves Margeaux being butt-naked and tied up for nearly ten minutes (Strangely, Mariel Hemingway ended up in exactly the same position some years later at the end of the otherwise much better Dorothy Stratten bio "Star 80"). In the meantime, her younger sister walks in, but she isn't quite sure what she saw. Just like in real-life, the police and the courts are pretty ineffectual, but their portrayal here is still pretty over the top. (Is it normal police procedure to ask a rape victim if she had been defecated on?!). Without giving too much away, Sarandon's character (who even for a middle-school music teacher is ridiculously evil) sets his sights on the younger Mariel and has to face the wrath of the vengeful Margeaux.
Margeaux Hemingway was not much of an actress and she has one of the most annoying voices in the history of cinema. She's horribly unconvincing both as a rape victim and a vigilante. Even in her first role, Mariel Hemingway is far better as the troubled teen who isn't sure if she saw her favorite teacher raping her sister or her slutty sister seducing him. Chris Sarandon is also pretty good, and he no doubt had a hard time living this role down, but he would go on to "The Sentinel" and "Fright Night". I somehow missed this sleazy piece of trash back in the 70's (but I guess I was only seven at the time), but I saw it recently completely by accident while trying to find an even more obscure (and much better) Italian film with the same name. This is NOT good by a long shot but it is memorably sleazy.
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