What is real and what is fiction? Faced with writer's block with his novel, Lewis Fielding turns to a movie script about a woman finding herself after his wife Elizabeth returns from Baden ...
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Frederique (Huppert) leaves her family's small-town trout farm to embark on an journey taking her to Japan and into the arms of a man. Irritations concerning her actions and present state ... See full summary »
Nora Helmer, years earlier, has committed a forgery in order to save the life of her authoritarian husband Torvald. Now, she is being blackmailed and lives in fear of her husband's finding ... See full summary »
At Oxford, Austrian student Anna von Graz (Jacqueline Sassard) is dating fellow student William (Michael York), whom she plans to marry, but she ends up sleeping with two unhappily married Oxford professors instead.
In Nazi-occupied Paris, the immoral art dealer, Robert Klein, leads a life of luxury, until a copy of a Jewish newspaper brings him to the attention of the police, linking him with a mysterious doppelgänger. Will Mr Klein clear his name?
What is real and what is fiction? Faced with writer's block with his novel, Lewis Fielding turns to a movie script about a woman finding herself after his wife Elizabeth returns from Baden Baden. She didn't quite find herself there, but had a brief encounter in an elevator with a German who says he is a poet. Now the German is in England, gets himself invited to tea where he claims he admires Fielding's books. Which one does he like the best? "Tom Jones". Amused at being confused with the other Fielding, the novelist works the German into the plot.Written by
Dale O'Connor <email@example.com>
Michael Caine confessed in his biography that director Joseph Losey was so serious, without smiling, that Caine took the bet with the crew that he would make Losey laugh before the end of the shooting. Caine eventually lost his bet. See more »
The Englishwoman was the most romantic. All she wanted was everything.
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I'm English and left the UK for the USA in 1974 so this was filmed in the year I left.It would be a film made by intellectual snobs for intellectual snobs and if you didn't understand it that was OK. You really weren't meant to get it. This and more like it were made for the critics to devote yards of written critiques about. It's strange to talk of times when profit and bottom lines were not that important but that is what it was like. Superb actors throwing away their talents on horrible films. They were not going to complain it added to their repertoire especially Michael Caine. Does it make for entertainment absolutely not.The film doesn't even have continuity, why would Glenda Jackson run off with the playboy after hating him for so long? It makes not sense. Then we have an enigmatic car scene with Michael Caine who has apparently driven all the way in his Bentley.No Englishman of the era would do that.They would catch a plane to Paris and then a train and taxi. It's like reading a book that suddenly makes no sense, and therefore you stop believing the rest of the book, and wonder why you are wasting your time.That is the crux of this movie
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