Peter Gunn investigates the murder of Scarlotti, a mobster who once saved the detective's life. The primary suspect appears to be Fusco, who has taken over. In the middle of the case, an ... See full summary »
Sorrowful Jones (Walter Matthau) is a cheap bookie in the 1930s. When a gambler leaves his daughter as a marker for a bet, he gets stuck with her. His life will change a great deal with her... See full summary »
Nancy Willows (Constance Towers), pretty blonde high school teacher, writes song lyrics which spark the careers of struggling young pianist-composer Martin Adams (Keefe Brasselle')and ... See full summary »
While on vacation in Barbados to recover from the lingering effects of a love affair that ended badly, Judith Farrow (Dame Julie Andrews) meets Feodor Sverdlov (Omar Sharif), a handsome Russian. They find pleasure in each other's company as they visit colorful places on the island, but there are complications to their budding romance after their vacation in the tropical paradise comes to an end. Problems arise due to geopolitical concerns of the Cold War, for Judith is the assistant to an important minister serving in the British Home Office in London, and Feodor is the Soviet air attaché assigned in Paris to Soviet General Golitsyn (Oskar Homolka). British Intelligence Officer Jack Loder (Sir Anthony Quayle) suspects that Sverdlov is attempting to recruit Judith to work as a Soviet spy, and this is in fact what Feodor tells his boss that he is attempting to accomplish. Feodor tells Judith that this is a way for him to be able to see her without bringing about suspicion from his ...Written by
Worked as a Doorman at The Rivoli Cinema in Sydney in 1974. Lovely conversion from an intimate live venue, but unfortunately, never found an audience. Fond memories of "The Tamarind Seed" as the most successful movie to play at this lovely theatre. Originally played on the Hoyt's circuit at the Embassy Theatre, and transferred to our (Independant) Rivoli (capacity approx. 400 seats)for a very healthy 6 week season. The only movie I recall playing to capacity audiences of a Friday & Saturday evening. Recently acquired a (beautiful) copy on DVD at a truly bargain price, and was pleased that the suspense and story-line held up so well after 30 years. Yes, the fashions are laughable, but we make allowances for our favourite films of the 30's,40's,50's and 60's, so why do we judge so many classic films of the 70's & 80's by the fashions of the time A thoroughly enjoyable espionage thriller, a brilliant cast, and all under the direction of the superb Blake Edwards, begs the question as to why this film is so over-looked and forgotten?
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