7.8/10
725
5 user 3 critic

Still Life (1974)

Tabiate bijan (original title)
For more than three decades, aging Iranian Mohamad Sardari (Zadour Bonyadi) has worked as a crossing guard at a desolate train station. Through the years, Mohamad has done little to stifle ... See full summary »
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4 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Zadour Bonyadi Zadour Bonyadi ... Mohamad Sardari
Mohammed Kani Mohammed Kani
Hibibollah Safarian Hibibollah Safarian
Habib Safaryan Habib Safaryan
Zahra Yazdani Zahra Yazdani ... The Old Man's Wife
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Storyline

For more than three decades, aging Iranian Mohamad Sardari (Zadour Bonyadi) has worked as a crossing guard at a desolate train station. Through the years, Mohamad has done little to stifle the loneliness and boredom inherent in the job. Meanwhile, back at his family home, life is similarly uneventful: Mohamad's wife passes the time sewing night and day, especially since the couple's son left to join the army. As time passes, Mohamad mechanically continues to do his duty.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Official Sites:

IMVBox.com | sourehcinema

Country:

Iran

Language:

Persian

Release Date:

7 December 1978 (Hungary) See more »

Also Known As:

Csendes élet See more »

Filming Locations:

Mazandaran, Iran

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Connections

Referenced in Only Image Remains (2014) See more »

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User Reviews

Stark and absorbing examination of social alienation
24 September 2010 | by Capo-idFilmSee all my reviews

Stark and absorbing minimalist examination of alienation and the daily ritual of working life. It works on both a literal and symbolic level: its unfurnished aesthetic grounds its subject matter in a sparse, gruelling existence wherein the railway track brings both daily sustenance and contact from the wider region; but there is a point at which the narrative casually, unexpectedly folds back on itself, makes us aware of a continuity error, of a flashback after the fact, so that time itself becomes the subject of the camera's observant gaze (another moment sees a conversation repeated from earlier drowned out by the sound of a ticking clock). Quiet and demanding, but devastating by its end.

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