A rich but lonely woman, Frances Austen, one day invites a homeless young man from a nearby park to her apartment and offers to let him live there. However, she has no intention of ever letting him leave again.
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
A parody and satire of the U.S. political scene of the time, HealtH is set at a health food convention at a Florida luxury hotel, where a powerful political organization is deciding on a new president.
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of desperation, he pawns most of his possessions and goes to Reno for the poker game of a lifetime. A film set mainly in casinos and races, as the two win and lose (but mainly win), get robbed, and get blind drunk.Written by
The film is dedicated to actress Barbara Ruick who appears in the movie as a barmaid and who died on location during the filming. The end title card memorializing this reads: "FOR BARBARA 1933-1973". See more »
Some of the balls hanging from Charlie's sombrero keep changing position throughout the scene. See more »
Altman at the absolute top of his form--which is to say among the freest, loosest and sensorily densest great movies ever made in America. Visually and sonically thick as a brick, it also represents some of the highest-flying improvisatory acting you've ever seen. Put the Godard of the early sixties in a polyester shirt, lay him down among the rummies and compulsive cases of the American gambling subculture, and fill him with equal parts beer and caffeine, and you have some idea of this thoroughly amazing, free-and-easy comedy, which has a scary undertow: the scene where George Segal tries to persuade co-addict Elliott Gould of the hollowness of the big win might be the most scarily desolate in any Altman picture.
29 of 36 people found this review helpful.
Was this review helpful to you?
| Report this